fering
withhiswork.In 1528 Aretinodecidedto
attemptanew
strategyinthepatronagegame.Leaving
Rome,he establishedhimselfinVenice,
wherefewhadheardofhim.Hehadafairamountof
moneyhehadman-aged
to
save,
butlittleelse.Soonafterhemovedintohisnew
home,
how-ever,
heflirew
openits doors to rich andpoor, regaling
them withbanquets
andamusements.Hebefriendedeachandeverygondolier,tip-
ping
themroyally.
Inthe
streets,
hespread
hismoneyliberally,
givingitawaytobeggars,orphans,
Washerwomen.Among
thecity’s
commoners,wordquicklyspread
that
Aretino
was
more
than
justagreat
writer,
hewasamanof
power—-akindoflord.Artistsandmenofinfluencesoonbegan
tofrequent
Areu‘no’shouse.Withinafew
yearshemadehimselfacelebrity;
no
visitingdignitary
wouldthinkofleaving
Venicewithout
payinghimacall.Hisgenerosity
hadcosthimmostofhissavings,
buthadbought
him
influenceand
agood
name—acornerstone
in
thefoundationof
power.SinceinRenaissance
Italyaselsewheretheability
tospendfreely
wastheprivilege
ofthe
rich,
thearisvtocracythought
Aretinohadtobe amanof
influence,sincehe
spentmoneylikeone.Andsincetheinfluenceofamanofinfluenceisworthbuying,
Aretinobecame the
recipientofall sortsofgifts
and
moneys.Dukesand
duchesses,wealthy
merchants,
and
popesandprinces
com-peted
to
gainhis
favor,
andshoweredhimwithallkindsofpresents.
Aretino’sspending
habits,
of
course,werestrategic,
andthe
strategyworkedlikeacharm.Butforreal
moneyand
comfort
he
needed
a
greatpatron’s
bottomlesspockets.Havingsurveyed
thepossibilities,
heeventu-ally
set
hissights
ontheextremelywealthyMarquis
of
Mantua,
andwroteanepicpoem
thathededicatedtothe
marquis.Thiswasacommon
prac-ticeofwriterslooking
for
patronage:Inexchange
foradedicationthey
wouldget
asmallstipend,enough
towrite
yetanother
poem,sothatthey
spenttheirlivesinakind
ofconstantservility.
Aretino,however,
wantedpower,notameasly
wage.Hemight
dedicatea
poemtothemarquis,
buthewouldofferittohimas
agift,implyingbydoing
sothathewasnotahiredhacklooking
forastipend
butthatheandthe
marquiswereequals.
Aret.ino’sgift-giving
didnotstop
there:As
a
closefriend
of
twoofVenice’s
greatest
artists,thesculptorJacopo
Sansovino
andthe
painterTitian,
he convincedthesementoparticipate
inhisgift-giving
scheme.Aretinohadstudiedthe
marquis
before
goingtoworkon
him,andknewhistasteinsideand
out;hewasabletoadviseSansovirioandTitianwhatsubject
matterwouldplease
the
marquismost.WhenhethensentaSanso-vino
sculpture
andaTitian
paintingtothemarquis
asgifts
fromallthreeofthem,
themanwasbesidehimselfwith
joy.Overthenextfew
months,
Aretinosentother
gifts——swords,saddles,
the
glass
thatwasaVenetianspecialty,things
heknewthemarquisprized.
Soon
he,Titian,andSansovinobegan
toreceivegifts
fromthemarquis
inreturn.Andthe
strategy
went
further:When
the
son-in—law
of
a
friend
ofAretino’sfoundhimselfin
jail
in
Mantua,Aretinowasableto
getthemar-quis
to
arrangehisrelease.Aretinds
friend,
awealthy
merchant,wasamanof
great
influencein
Venice;byturning
thegoodwill
hehadbuilt
upyour:pussrrrlbyafter
{his
promlxe,andPharaoh,
(loomed 10min,rrnntinmrrl
to
liveinallhis
I?1agIl|fi(‘(!fl(,‘f’.Mums’u-as
impulienlfor
Godto
destroyPlmruolz
quickly,
andhecouldnorenduretowail
any
longer.
SoheV/listedforforty(lays
andwenttoMountSinai,
andinlzircommuning
with
godhe
said,
"0
Lord,Thoudidrr
pVI)mtS£‘
(hutTlwuwouldst
rlesrrovPharaoh,
andStillhehas
formkmnone
ofhis
hlrzsphenzies
andprr',t('n.vim1x.
So
whenWlllThou
dc.\'lroyhim?"Avoice
came
fromTheTruth
xnyirig,“0Moses,
youwamMetodestroyPharaohasquickly
as
possilzle.butathousandtimesarlwuscmd
of
Myservantswant
Mt:never(0do
so,
b€(’IIIlSt'
theypartakenflzishmmtyand
enjoytranquillityumlcrhisrule.
ByMypowerIswearthataslong
ashe
providesabunrlam‘
food
andcomfortforMycrea-tures,
Ishallnotdestroy
him"
Moses
said,
"Thenwhenwill
Thypromixcbe
fulfilled?"
Godmid,“Mypromise
willbefulfilledwlmnhewith-holdslzis
provisirmfromMy
creulzares,
Ifeverhe
beginsIolarsrlrzhis
bounty.lmowthathishouris
drawingnear."
Itclmnrezlthanone
dayPlmmohsazdtoIhzmnzn,"Moseshas
gmherelltheSzms
ofl.S'fl1l’.l1lb()Illhimandiscausing
us
rlixquiel.ll/I’knownorwhatwillbeLAW 40 339