fering
withhiswork.In 1528 Aretinodecidedto
attempt
anew
strategy
in
the
patronagegame.Leaving
Rome,
he establishedhimselfin
Venice,
wherefewhadheardofhim.Hehadafairamountof
money
hehadman-
aged
to
save,
butlittleelse.Soonafterhemovedintohisnew
home,
how-
ever,
heflirew
open
its doors to rich and
poor, regaling
them with
banquets
andamusements.Hebefriendedeachand
everygondolier,tip-
ping
them
royally.
Inthe
streets,
he
spread
his
moneyliberally,
giving
it
away
to
beggars,orphans,
Washerwomen.
Among
the
city’s
commoners,
word
quicklyspread
that
Aretino
was
more
than
just
a
great
writer,
hewas
amanof
power—-a
kindoflord.
Artistsandmenofinfluencesoon
began
to
frequent
Areu‘no’shouse.
Withinafew
years
hemadehimselfa
celebrity;
no
visiting
dignitary
would
thinkof
leaving
Venicewithout
paying
himacall.His
generosity
hadcost
himmostofhis
savings,
buthad
bought
him
influenceand
a
good
name—
acornerstone
in
thefoundationof
power.
SinceinRenaissance
Italy
as
elsewherethe
ability
to
spendfreely
wasthe
privilege
ofthe
rich,
thearisv
tocracythought
Aretinohadtobe amanof
influence,
sincehe
spent
money
likeone.Andsincetheinfluenceofamanofinfluenceisworth
buying,
Aretinobecame the
recipient
ofall sortsof
gifts
and
moneys.
Dukesand
duchesses,
wealthy
merchants,
and
popes
and
princes
com-
peted
to
gain
his
favor,
andshoweredhimwithallkindsof
presents.
Aretino’s
spending
habits,
of
course,
were
strategic,
andthe
strategy
workedlikeacharm.Butforreal
money
and
comfort
he
needed
a
great
patron’s
bottomless
pockets.Havingsurveyed
the
possibilities,
heeventu-
ally
set
his
sights
onthe
extremelywealthyMarquis
of
Mantua,
andwrote
an
epicpoem
thathededicatedtothe
marquis.
Thiswasacommon
prac-
ticeofwriters
looking
for
patronage:
In
exchange
foradedication
they
would
get
asmall
stipend,enough
towrite
yet
another
poem,
sothat
they
spent
theirlivesinakind
ofconstant
servility.
Aretino,however,
wanted
power,
nota
measly
wage.
He
might
dedicatea
poem
tothe
marquis,
but
hewouldofferittohimas
a
gift,implyingbydoing
sothathewasnota
hiredhack
looking
fora
stipend
butthatheandthe
marquis
were
equals.
Aret.ino’s
gift-giving
didnot
stop
there:As
a
closefriend
of
twoof
Venice’s
greatest
artists,
the
sculptorJacopo
Sansovino
andthe
painter
Titian,
he convincedthesemento
participate
inhis
gift-giving
scheme.
Aretinohadstudiedthe
marquis
before
going
toworkon
him,
andknew
histasteinsideand
out;
hewasabletoadviseSansovirioandTitianwhat
subject
matterwould
please
the
marquis
most.WhenhethensentaSanso-
vino
sculpture
andaTitian
painting
tothe
marquis
as
gifts
fromallthreeof
them,
themanwasbesidehimselfwith
joy.
Overthenextfew
months,
Aretinosentother
gifts——swords,
saddles,
the
glass
thatwasaVenetian
specialty,things
heknewthe
marquisprized.
Soon
he,Titian,
andSansovino
began
toreceive
gifts
fromthe
marquis
in
return.Andthe
strategy
went
further:When
the
son-in—law
of
a
friend
of
Aretino’sfoundhimselfin
jail
in
Mantua,
Aretinowasableto
get
themar-
quis
to
arrange
hisrelease.Aretinds
friend,
a
wealthy
merchant,
wasa
manof
great
influencein
Venice;
byturning
the
goodwill
hehadbuilt
up
your:pussrrrlbyafter
{his
promlxe,
and
Pharaoh,
(loomed 10
min,
rrnntinmrrl
to
live
inallhis
I?1agIl|fi(‘(!fl(,‘f’.
Mums’u-as
impulienl
for
Godto
destroy
Plmruolz
quickly,
and
hecouldnorendureto
wail
any
longer.
Sohe
V/listedforforty(lays
andwenttoMount
Sinai,
andinlzir
communing
with
god
he
said,
"0
Lord,
Thou
didrr
pVI)mtS£‘
(hut
Tlwuwouldst
rlesrrov
Pharaoh,
andStillhe
has
formkm
none
of
his
hlrzsphenzies
and
prr',t('n.vim1x.
So
when
WlllThou
dc.\'lroy
him?"
Avoice
came
from
The
Truth
xnyirig,
“0
Moses,
you
wamMeto
destroy
Pharaohas
quickly
as
possilzle.
but
athousandtimesa
rlwuscmd
of
My
servantswant
Mt:never
(0do
so,
b€(’IIIlSt'
they
partakenflzishmmty
and
enjoytranquillity
umlcrhisrule.
ByMy
power
Iswearthatas
long
ashe
provides
abunrlam‘
food
and
comfortforMy
crea-
tures,
Ishallnot
destroy
him
"
Moses
said,
"Then
whenwill
Thypromixc
be
fulfilled?"
Godmid,
“Mypromise
willbe
fulfilled
wlmnhewith-
holdslzis
provisirm
fromMy
creulzares,
If
everhe
begins
Iolarsrlrz
his
bounty.
lmowthat
hishouris
drawing
near.
"
Itclmnrezlthanone
day
Plmmohsazdto
Ihzmnzn,"Moseshas
gmherell
theSzms
of
l.S'fl1l’.l1lb()Illhimandis
causing
us
rlixquiel.
ll/I’
knownorwhatwillbe
LAW 40 339