The Classical Music Book

(Tuis.) #1

154


desire, in the face of rejection,
to find solace in nature. These
ideas would be explored with an
even greater level of intensity in
Winterreise, in which the poems
chart the progress of a lovelorn,
solitary wanderer through a bleak
wintry landscape. The songs of
Schwanengesang (“Swan song”),
published together after Schubert’s
death but never conceived as a

cycle, push the genre even further
and can be shocking in their
expressionistic power.

Private to public
The songs of Die schöne Müllerin
were, like so much of the music by
Schubert that was disseminated
during his lifetime, originally
designed primarily for private
performances, such as those

Schubert set several of Goethe’s
poems to music, including his tragic
1778 work “An den Mond” (“To the
moon”). This handwritten manuscript
of Schubert’s dates from 1815.

Schubert would give with his
friends, known as Schubertiads,
and they were not initially
published together as a cycle.
The first public performance
of the cycle as a whole was not
until 1856. As the 20th century
approached, the Lied also became
an increasingly public form, even
if many composers continued
to use it for some of their most
personal works.

Romantic vehicle
Schubert’s influence, in terms of
the later development of the Lied, is
difficult to overestimate. What had
been a peripheral activity for earlier
composers became a major area of
activity for several composers who
came after him. The genre’s unique
mix of music and poetry proved
particularly attractive to the

LIEDER AND SONG CYCLES


Written for voice and piano for performance in homes or
concert halls, sometimes as a cycle of three or more songs
linked by a story or theme.

They appear in three major forms


Lied and Song Cycles


Strophic:
all verses are sung to
the same music, as in
Schubert’s “Der Fischer”
and “Heidenröslein.”

Modified strophic:
the music varies
in some verses, such as
“Der Lindenbaum” in
Schubert’s Winterreise.

Through-composed:
each verse has different
music to match the words.
Schubert’s “Erlkönig” is
through-composed.

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