96 CultureShock! Bolivia
Paz Estenssoro to the presidency in 1952. But the politicians
would only manage to legitimise their populist postures by
enacting fundamental reforms.
These reforms cushioned a nouveau-riche sector of the
dominant class from the wrath that had emerged from
centuries of brutal exploitation. Ironically, a segment of the
Cholo class was again employed in its old role as enforcer.
A poorly conceived agrarian reform enfranchised the
indigenous populations. Nationalisation of the irreversibly
declining mineral industry enhanced political pride and
triggered the growth of a powerful labour movement, whose
traditional leaders were the miners. During certain periods,
labour was so strong that a system of co-gobierno allowed for
sharing of power between the government and the Bolivian
Labor Confederation ( COB), then under the leadership of
Juan Lechín.
Finding a National Identity
In the aftermath of the Revolution, most public facilities
were desegregated. Of course, one’s race was not objectively
measured. To a certain degree,
the level of economic affl uence
determined racial identity, as did
choice of dress between Cholos
and indigenous Bolivians.
Since the 1970s, a Latin
Americanist movement opened
the eyes of Bolivians of all classes
and ideologies to the beauty
of indigenous art and music.
Peñas, unpretentious night clubs
featuring national and indigenous music, sprung up
throughout Latin America. A dominant highlight in these
peña programmes was the typical Andean music, which
Westerners might remember from the Bolivian song, El
Cóndor Pasa, recorded by Paul Simon with great respect for
original harmonies and using Andean instruments.
Simultaneously, a democratic consciousness emerged,
with Bolivians weary of the abuse of military regimes.
In the years following the
revolution, Bolivia enhanced
its reputation as a beacon of
instability with a record-breaking
number of coup d’etats. So
accustomed to such events was
the populace that not far from tear
gas confrontations, old-timers
could be seen chatting leisurely
on benches on the La Paz
boulevard called El Prado.