Western Civilization

(Sean Pound) #1
While Latin continued to be used for literary pur-
poses, by the twelfth century, much new literature was
being written in the vernacular (the local language, such
as Spanish, French, English, or German). A new market
for vernacular literature appeared in the twelfth century
when educated laypeople at court and in the new urban
society sought fresh avenues of entertainment.
Perhaps the most popular vernacular literature of
the twelfth century was troubadour poetry, which was
chiefly the product of nobles and knights. This poetry
focused on the love of a knight for a lady, generally a
married noble lady, who inspires him to become a
braver knight and a better poet. A good example is
found in the laments of the crusading noble Jaufre
Rudel (zhoh-FRAY roo-DEL), who cherished a dream
lady from afar whom he said he would always love but
feared he would never meet:

Most sad, most joyous shall I go away,
Let me have seen her for a single day,
My love afar,
I shall not see her, for her land and mine
Are sundered, and the ways are hard to find,
So many ways, and I shall lose my way,
So wills it God.^6

Although it originated in southern France, troubadour
poetry also spread to northern France, Italy, and
Germany.
Anothertypeofvernacularliteraturewasthe
chanson de geste(shahn-SAWNH duh ZHEST), or he-
roic epic. The earliest and finest example is theSong
of Roland, which appeared around 1100 and was writ-
ten in a dialect of French, a language derived from
Latin. The chansons de geste were written for a male-
dominated society. The chief events described in these
poems are battles and political contests. Their world
is one of combat in which knights fight courageously
for their kings and lords. Women play little or no role
in this literary genre.

Romanesque Architecture: “A White
Mantle of Churches”
The eleventh and twelfth centuries witnessed an explo-
sion of building, both private and public. The construc-
tion of castles and churches absorbed most of the
surplus resources of medieval society and at the same
time reflected its basic preoccupations, God and war-
fare. The churches were by far the most conspicuous of
the public buildings.

Hundreds of new cathedrals, abbeys, and pilgrimage
churches, as well as thousands of parish churches in ru-
ral villages, were built in the eleventh and twelfth cen-
turies. This building spree reflected a revived religious
culture and the increased wealth of the period pro-
duced by agriculture, trade, and the growth of cities.
The cathedrals of the eleventh and twelfth centuries
were built in theRomanesquestyle, a truly interna-
tional style. The construction of churches required the
services of a cadre of professional master builders
whose employment throughout Europe guaranteed
international unity in basic features.
Romanesque churches were normally built in the ba-
silica shape used in the construction of churches in the
late Roman Empire. Basilicas were simply rectangular
buildings with flat wooden roofs. Elaborating on this
basic plan, Romanesque builders made a significant
innovation by replacing the flat wooden roof with a

Barrel Vaulting.The eleventh and twelfth centuries
witnessed an enormous amount of church construction.
Utilizing the basilica shape, master builders replaced flat
wooden roofs with long, round stone vaults known as barrel
vaults. As this illustration of a Romanesque church in Vienne,
France, indicates, the barrel vault limited the size of a church
and left little room for windows.

Gianni Dagli Orti/The Art Archive at Art Resource, NY

216 Chapter 9The Recovery and Growth of European Society in the High Middle Ages

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