Evolution The violent spirit to forge a civilization vol 1

─Justification for the text

«In recent years I have been interested in studies of sexuality,

psychoactive substances, and the evolution of technology in the

past. Those traces left in a material record by individuals in

their natural state and their role in the environment, based on

the idea that human violence is controllable and can be

transformed into a means of "social control" over other

individuals of the species Homo sapiens. Homo sapiens are

living a moment of technological disruption (^) [ 10 ] and human

deconstruction

[ 11 ]

which is a TransEvolution

[ 11 a]

. This

TransEvolution is a permanent Transmutation (^) [ 12 ] since the

Hominids knew the fear of death. The different forms of

violence are transformed into death, but for the first time: ─the

evolution and revolution of technology control the violent

Hominid. Will the Hominid overcome death to reach

Transhumanism (^) [ 13 ], managing to implant his spirituality (^) [ 14 ]

in a machine as he tried to do through art? We are still in a cave

painting walls with our everyday scenes and experiences; we

are still generating an archive;

─only this archive is now a format based on programming

languages, we are still telling other users of the net, that we are

alive, but it is not enough. We have to cross the border, we have

to transmute─. This work aims to draw attention to the multiple

representations of art that humanity has created. Pictorial

works of art have the quality of being dated with carbon- 14

measurement techniques, which determine a value for the half-

life of this isotope of approximately 5568 to 5730 years. Because

of its presence in all organic materials, carbon- 14 is used in the

dating of organic specimens.»