Evolution The violent spirit to forge a civilization vol 1

(Rodrigo GrandaB_hQJo) #1

Kakadu National Park, Northern Territory region of Australia


contains a fascinating display of rock paintings, particularly at


sites called Nourlangie, Ubirr and Nanguluwur. Highlights


include the magical representation of hunted animals, the


presence of ritual ceremonies, stories linked to Aboriginal


ancestor-creators, and paintings for magical purposes, intended to


influence people's lives and control social or atmospheric


situations.


Their purpose must have been didactic and warning, although


their deeper meaning is rather enigmatic. In any case, the


paintings relate to Australian Aboriginal cosmology, in particular


to Alcheringa, the Dreamtime, the Dreaming, and the mythical,


remote and archaic time when enormous beings (ancestors)


emerged from the earth and shaped the world in the course of


their travels, conflicts and various vicissitudes.


Aboriginal people firmly believe that nature is a living organism,


and that if we can read it, it tells us stories of the past, but also of


the future. From their perspective, Australia is a spider's web


whose threads were formed by the journeys of the magical beings


of Dreamtime. The web defines routes, itineraries and boundaries


of separation between the tribes themselves. Natural objects, such


as stones, caves or lagoons, the work of the Ancestors, still retain


some of their power, from which it follows that the earth and all it


contains is sacred, whether inanimate or alive. These ancestors


include, among others, Mother Earth and the Rainbow Serpent. It


is important to note that Aboriginal rock art in this region


continues to have a strong social function for the communities


that inhabit it. For the aboriginal people, most of the spirits still


live in the places where they settled after their wanderings and


exploits to find a place in creation. These entities are guardians of


culture and manipulate atmospheric phenomena such as rain and


wind, thus symbolically conditioning the fertility of the land and


of women.


Prof. Julio López Saco. http://asiahistoria.blogspot.com/ 2009 / 04 /arqueologia-en-australia-pinturas.html

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