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(Tina Meador) #1

the beat


MITSKI: TIM MOSENFELDER/GETTY IMAGES. MINAJ: LEON BENNETT/GETTY

IMAGES. 6IX9INE: GONZALES PHOTO/ALAMY LIVE NEWS.

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YOU MIGHT CALL MITSKI A DRIFTER. BORN IN
Japan, the singer-songwriter lived in 13 diferent
countries growing up. Today, she has embraced a
sort of permanent displacement, inhabiting various
sublets and Airbnbs along the East Coast when she’s
not on tour, as she was earlier in 2018, opening for
Lorde alongside rap duo Run the Jewels.
“In order to ind a place and move into a place,
you need time to do that, and I just don’t have time,”
says the 27-year-old born Mitski Miyawaki. At the
moment, she has found a couple of hours of respite
at a Szechuan restaurant in Brooklyn’s Bushwick
neighborhood, where she’s staying as she does press
and rehearses for a headlining international fall
tour. She pauses. “I think I will next year.”
It’s unlikely that the current generation’s answer
to candid, guitar-strumming songwriters like
Liz Phair will ind domestic bliss anytime soon.
Despite being discouraged early on by a piano
teacher who told her that her hands were too
small for the instrument, Mitski majored in music
composition at Purchase College in upstate New
York and has since put out ive albums. The irst
two were more classical-inluenced, but it was with
her third, Bury Me at Makeout Creek in 2014, that
Mitski began to win critical acclaim. By her next
release, 2016 ’s Puberty 2 — an album of relatably
angsty guitar ballads — everything had changed.
Of her 51.3 million on-demand streams,
according to Nielsen Music, Puberty 2
has generated nearly half. She’s gotten
high praise from Iggy Pop, and last year,
Lorde sent her a Twitter DM, inviting her
to open on her arena tour.
“Sometimes I felt like I was blowing
people’s minds,” she recalls of Lorde’s
spring trek, where she played to young
pop fans so early in the evening that the
house lights were often still on. “It was
like I was inventing punk music in front
of them.”
Her ifth album, Be the Cowboy, out
Aug. 17, favors synths over guitar. It’s an
intentional pivot for Mitski, who, now
that she commands a larger reach, is wary

of being pigeonholed. “I had come to be identiied
by distorted guitar, and I wanted to make sure I
didn’t repeat myself,” she says. And, she jokes, “I
want to get my nails done. I’m passing the bass on to
a bassist, so my ingers are free.”
Be the Cowboy isn’t a total departure from
Puberty 2 — there are plenty of the lonely-heart
anthems that irst drew fans. Its irst single,
“Nobody,” where Mitski bemoans, “I know
no one will save me,” has garnered 1.3 million
on-demand U.S. streams since its release in late
June. But as open as she may be with her emo-

tions, Mitski is guarded about her personal life. “I
accept all the consequences of what I do because
I want to make music,” she says. “If I have less
privacy, then ine. But the people that come into
my life or that I love, they didn’t make that choice
or choose this life. I don’t want my relationship
with them to jeopardize their privacy.”

“Me and My Husband” seems to invite
speculation about her love life, though Mitski
says it’s ictional and that she only “wanted
to use that idea of a stereotypical housewife.”
Where Puberty 2 centered on a teen heroine, Be
the Cowboy takes a more grown-up, boundary-
pushing perspective. On “Lonesome Love,”
Mitski whispers, almost unemotionally, “Nobody
fucks me like me.” This line, she says, is “true.”
Her music and videos play with fantasies of
settling down, and as Mitski gets older, she has
found they increasingly mirror her actual desires.
“I’m thinking about [marriage] now, and it’s crazy,”
she says. “I never thought I’d be this cliche, but I’m
really like, ‘Wait, do I want children?’ ” She’s now
big on investing money and recommends a SEP IRA
for the self-employed. (“You get a discount on taxes
because you give the government money that you’ll
get back later,” she explains.) She has also started
writing songs for others, including Canadian pop
singer Allie X. “The hope is that 15 years from now,
when I’m too tired to tour, I will already have that
other musical job set up,” she says.
With her Asian heritage, Mitski is aware she’s an
outlier even in the current indie-rock scene, which is
now less talked about as a boys club thanks to rising
acts like Snail Mail and Soccer Mommy. She
has repeated in many interviews that she doesn’t
want to just talk about being Japanese
— something that would reinforce the
idea that she’s an indie-rock token. Yet
she can’t help but be proud about the
growing presence of Asians in popular
culture: She’s quick to note the big-
budget, Asian-led ilm Crazy Rich Asians
opens in August, as does the Asian
coming-of-age lick To All the Boys I’ve
Loved Before, which hits Netlix the same
day Be the Cowboy arrives. “I’m going
to keep being a musician for as long as
people let me, so by the time I put out
seven or eight albums, maybe people will
realize I’m not putting out music because
I’m Asian.” She’s doing it, she adds,
because “I can’t do anything else.”

Mitski onstage
in May in
Arcosanti, Ariz.

“ It was like I was


inventing punk music in


front of [Lorde’s fans].”


—Mitski


It was no surprise that after Nicki Minaj tapped rapper 6ix9ine to open her fall NickiHndrxx Tour with Future, a backlash ensued. After all, 6ix9ine
has become one of hip-hop’s most controversial figures after pleading guilty to three counts of sexual misconduct with a child. The pair’s new track,
“Fefe,” which bows at No. 4 on the Billboard Hot 100, stoked the flames further, garnering hot and cold takes from Minaj’s fans.

Minaj
TAKING THE SOCIAL TEMPERATURE OF ‘FEFE’

6ix9ine

KHLOE KARDASHIAN
SHOUTED OUT IN “FEFE”

“I hearrrddddf!!!!
How cool is
that?!?!”

MALIIBU MIITCH
RAPPER, CO-SIGNED BY
MINAJ

“Fefe


my new


mood”


NICK NIEVES
FAN, BEAUTY BLOGGER

“Absolutely


the fuck


not.”


SAFAREE
EX-BOYFRIEND, SONGWRITER

“Ayo I ain’t no hater
so I gotta say
that line ‘Ac just
stop working so
they hit me told me
bring my wrist back’
is soooo hard. I love
Icy talk”
Free download pdf