32
Z
eus slipped easily into a
position of authority over
his brothers and sisters:
though the youngest, he had been
in the world by far the longest. His
siblings supported him as he strove
to overthrow his father and assert
his primacy across the cosmos.
So began the Titanomachy—the
War of the Gods and Titans.
Zeus, with the support of his
siblings, launched a concerted and
determined attack against the
Titan gods. The siblings were
joined by some of Ouranos’s cast-
out sons. The three Kyklopes—the
one-eyed giants Brontes, Steropes,
and Arges—sided with Zeus after
he freed them from the Underworld.
They were skilled craftstmen who
made weapons for the gods: a
mighty thunderbolt for Zeus,
a cloak of invisibility for Hades,
and a trident for Poseidon. The
Hecatoncheires—Briareos, Kottos,
and Gyges—also fought for the
gods. Each of these terrifying
giants had 50 heads and 100 hands,
and howled as they rampaged
across the battlefield.
Total war
The war was fought on the lower
slopes of Mount Olympus and
across the open plains of Thessaly,
but the earth-shattering conflict
encompassed the entire world.
Huge rocks were hurled around;
Zeus, leader of the gods, stands
beside an eagle in this 4th-century
statue. The eagle, Zeus’s messenger,
remained a symbol of power from
ancient Rome to Nazi Germany.
IN BRIEF
THEME
Olympians take power
SOURCES
Iliad, Homer, 8th century bce;
Theogony, Hesiod, ca. 700 bce;
Library, Pseudo-Apollodorus,
ca. 10 0 ce.
SETTING
The slopes of Mount Olympus
and the plains of Thessaly,
northern Greece.
KEY FIGURES
Olympians The gods Zeus,
Poseidon, Hades, Hera,
Demeter, and Hestia.
Titans Oceanus, Hyperion,
Coeus, Tethys, Phoebe, Rhea,
Mnemosyne, Themis, Theia,
Crius, Kronos, and Iapetus.
Kyklopes The one-eyed
giants Brontes, Steropes,
and Arges; sons of Ouranos.
Hecatoncheires The giants
Briareos, Kottos, and Gyges;
sons of Ouranos and Gaia.
ZEUS IN HIS FIRST
YOUTH BATTERED THE
EARTHBORN TITANS
THE WAR OF THE GODS AND TITANS
US_032-033_War_of_Gods_and_Titans.indd 32 05/12/17 2:59 pm
ANCIENT GREECE 33
The Fall of the Titans by Giulio
Romano (1532–1535). Depicting the war
of the Titans, this continuous fresco
covers the walls and ceiling of the Sala
dei Giganti in the Palazzo Te, Italy.
See also: The Olympian gods 24–31 ■ War of the gods 140–41 ■ A complex
god 164 ■ The game of dice 202–03
entire mountaintops were ripped
up and sent flying back and forth
as projectiles; bolts of lightning
flashed like javelins across the sky.
Flames rose up to the farthest
heights of heaven; the thud of
marching feet caused quakes in
the most remote reaches of the
Underworld; swirling dust clouds
darkened the sky, and the din of
the conflict was deafening.
According to Hesiod, the
intensity of the fighting “pained the
soul.” The advantage tipped back
and forth without any real interval
for a full 10 years. Neither side
would yield, so finally Zeus rallied
his cohorts. He refreshed the
Hecatoncheires with nectar and
ambrosia—the divine and exclusive
sustenance of the gods, which
conferred immortality on any
mortal who consumed it. This may
not have been the effect it had on
the Hecatoncheires, but according
to Hesiod, “the heroic spirits grew
in all their hearts” after Zeus gave
it to the giants.
Ultimate triumph
Reinvigorated, the Hecatoncheires
were the tipping point. With such
formidable allies and weapons, the
gods were at last able to defeat
the Titans. They banished them
to Tartarus, the lowest pit of the
Underworld, where the Titans were
imprisoned for all eternity under
the watch of the Hecatoncheires.
Zeus and his siblings now had full
control over the cosmos. They set
up their imperial seat on the top of
Mount Olympus, from where they
ruled the universe. ■
Warfare in ancient
Greece
After the rise of the city-states
of Athens, Sparta, and beyond,
warfare became a way of life
for the people of ancient
Greece. The states fought
each other for territory, trade,
and power in highly ritualized
wars—both sides would
consult with oracles and sing
hymns to the gods before
meeting for set-piece battles.
Scholars use the term “limited
warfare” to describe the
ancient Greek model, in which
cities were destroyed but
the victors were honorable,
fighting within a set of rules
of conduct.
Some city-states, such
as Sparta, became very
militaristic. This perhaps
explains the recurrence of the
idea of a war in heaven. Such
stories dramatized real-life
shifts in theological and
spiritual thinking in ancient
societies. For example, the
Titanomachy could explain
the shift from an earth cult,
centered around deities who
lived in the Underworld, to
the more sky-based theology
found in ancient Greece.
Zeus’s bolts flew thick
and fast from his mighty
hands, with flash and
thunder and flame.
Theogony
US_032-033_War_of_Gods_and_Titans.indd 33 01/12/17 4:22 pm