Mythology Book

(ff) #1

41


Pandora, as depicted by the British
Pre-Raphaelite artist Dante Gabriel
Rossetti (1828–1882). She is holding the
infamous box from which all the
troubles of the world poured forth.

See also: The Olympian gods 24–31 ■ Prometheus helps mankind 36–39 ■ The Mead of Poetry 142–43 ■
Nanga Baiga 212–13

ANCIENT GREECE


she was given the name Pandora
(literally meaning “all gifts”). Her
name alone would have caused
Prometheus concern. He had
previously warned his brother
Epimetheus not to accept any
offering from Zeus, in case it
unleashed “some evil thing for
mortal men.” However, due to
the punishment of Prometheus,
Epimetheus had been left in charge
in the world of men. Whereas
Prometheus’s name meant
“Thinking Ahead” or “Foresight,”
Epimetheus’s meant “Thinking

After.” He was gullible and did
not stop to think when Zeus’s
messenger Hermes presented him
with Pandora as a goodwill present
to humanity from Zeus. Nor did he
give a second glance to the present
that she herself brought with her, a
pithos or ceramic jar (usually
reimagined as a richly ornamented
box in modern retellings). The all-
gifted girl was both gift and giver.

Fatal curiosity
There was nothing inherently evil
about Pandora. Although she had
been warned against opening the
pithon, it was her innocent
curiosity —a characteristic given by
Hera—that led to her downfall.
When she could not resist peeping
inside the jar, she pulled back the
lid, and all the ills and misfortunes
of the world flew out: Hunger,
Sickness, Loss, Loneliness, and

Death. Horrified, Pandora hastily
pushed the lid back on—just in
time to prevent Hope from
escaping. With hope, the world
could still persevere, despite the
adversity that the jealous Zeus
had inflicted on mankind. ■

Hephaestus At least one source states that
Hephaestus was ugly and squat
from birth, which explains why he
was thrown from the top of Mount
Olympus by his disgusted mother,
Hera. Landing further down the
mountain with a crash, he was
then rendered lame as well.
The unprepossessing
appearance of this first divine
artisan was in sharp and highly
symbolic contrast to the beauty of
the many things that he created.
He was often aided by attendants,
such as Cedalion, who helped
with his creations. Hephaestus
is widely known as the Greek

“blacksmith god” and presided
over manufacture in its broadest
sense—perfecting his craft in
everything from metalwork and
the manufacture of weapons
to fine jewelry and intricate
items of clothing.
Of all his many creations,
Pandora is certainly the most
wonderful—and the most
flawed. According to Hesiod, it
was Hephaestus who created the
first woman, thereby enabling
each generation of humanity to
repeatedly replicate itself. In this
sense, the craft of Hephaestus
gave birth to humanity’s future.

Prometheus had warned
him never to accept
a gift from Zeus.
Works and Days

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