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Odysseus. Shipwrecked and cast
ashore alone on the coast of
Phaecia (perhaps Corfu), Odysseus
was discovered by Nausicaa, the
daughter of Alcinous, the country’s
king. Smitten by Nausicaa’s beauty,
Odysseus made his way to the
king’s palace to seek her hand.
While Odysseus and his men were
being entertained as guests in the
hall of King Alcinous, the hero told
the king the impressive story of
their wanderings to date.
Sweet stupor
Odysseus began with the tale of
his sojourn in the land of the Lotus-
Eaters; he had gone there after his
men sacked Ismarus, their first stop
after Troy. The Lotus-Eaters lived
in a permanent trance. The lotus
blossoms not only provided
nutritional sustenance; they also
induced a daze of calmness and
contentment. Only Odysseus was
sufficiently quick-thinking and
self-disciplined to recognize the
danger when his shipmates
encountered the narcotic flowers.
Seizing the men by force, he
marched them back to their ship
and ordered his crew to set sail.
Cyclops and sea god
Hungry and tired after further
days at sea, Odysseus and his men
reached another coast, where they
dropped anchor. Going ashore to
forage, the men stumbled on a
cave and were thrilled to find ❯❯
See also: The Olympian gods 24–31 ■ The war of the gods and Titans 32–33 ■
The many affairs of Zeus 42–47 ■ The founding of Athens 56–57
ANCIENT GREECE
I–IV
Struggles of
Telemachus
to hold on to his
father’s house
IX–XII
Wanderings
of Odysseus
as his voyage
home to Ithaca
is dogged by
setbacks
XII–XIV
Odysseus
returns home,
reunites with his
son, and reclaims
his house
V–VIII
Odysseus
is freed
from captivity
with Calypso but
struggles to
return home
The 14 books of the Odyssey
Who was Homer?
The poet credited with both
the Iliad and the Odyssey was
almost certainly mythical.
Ancient tradition portrayed
him as a blind and bearded
bard, strumming on a lyre. He
was said to come from Ionia,
on the coast of Asia Minor, in
modern-day Turkey. It is
unlikely that such a person
existed, and that a single poet
created the Iliad or the
Odyssey, let alone both.
Instead, “Homer” appears
to have been an after-the-fact
rationalization to account for
the existence of the two great
works. They are probably a
compilation of stories told by
innumerable anonymous
bards, working in an oral
tradition that dated back as
far as the 12th century bce.
Such narrators could memorize
vast screeds of narrative verse
and fluently improvise new
storylines; they would have
used many formulaic narrative
elements and ready-made
images that were widely
accepted and are strongly
evident in the Iliad and
Odyssey. The “writing” of
the two works in the 8th
century bce was most probably
a conclusive setting down,
rather than an originating act.
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