2020-04-01_Total_Film

(Joyce) #1
TOTAL FILM | APRIL 2020 SUBSCRIBEATWWWTOTALFILMCOM/SUBS




‘ILEARNEDACTING


THERIGHTWAYON


THE FIRSTMOVIE


IEVERDID’


What’s the first thing you do when
you get to your trailer?
I show up and get a cup of tea, and
you’ve got to [get to] hair and make-up.
Then you go do your day’s work.

Any on-set superstitions?
I like to get on set early. I actually don’t
like to leave the set. When they’re
setting up lighting and stuff, and the
cameraman... I’m actually doing stuff.
I’m working my way around, and I have
to check with them. I’m going, “Let me
know if I’m in your way.” I start doing
what my character would do. I’m going
to go where my character would go,
when I get on set.

Is there anything you always take
with you on set?
No, I just get everything else out of the
way, besides what my character needs
in that scene. And then I start looking.

What for?
“What else is around here? Oh, you
know what would be interesting? Yeah,
yeah, yeah. He’s got the candies, but
he’s actually a smoker. He’s trying to
quit smoking, so he put candies in the
ashtray. Maybe he’s going to have a
smoke here now. I’ll use the ashtray, or
I’ll put the candies in it. And then in the
scene, I’ll take the candies out, and
you’ll see ashes at the bottom.” You
know, something. You look around, and
you go, “What can I use?”

Do you ever take a phone with you?
No. I don’t want to... I don’t like
checking out, once I check in. Unless it’s
music that I have, or a certain singer.
But I’d rather have my system, with the
Jambox, actually playing it, rather than
me with earphones.

What do you remember about your
first on-set experience on Dazed
:g]y<hg_nl^]?
[Pause] I can tell you, I wasn’t... I didn’t
know who I was. I had the instincts for
it. I learned acting the right way on the

MATTHEW MCCONAUGHEY


The Gentlemen star reveals his on-set memories. Alright, alright, alright...


BETWEEN TAKES


first movie I ever did. I had a director
who invited me back. I had an entire
cast of real actors who invited me into
scenes, who handed me lines in the
middle of scenes, who were pulling me
into scenes, just because I’d been invited
the other night. All of a sudden, they
wrote me into the script, and I ended up
working for three-and-a-half weeks. So
I learned the right way to do it.

What’s been your worst on-set
experience?
I’m not good at recall like that. I mean,
the days that are the worst are when
I’ve injured myself. You know? I blew
out my knee in Reign Of Fire. I tweaked
my back, actually, in White Boy Rick, in
the scene when I’m taking Bel [Powley]
out. I pulled something in my back. It
was getting me up for eight months
after that.

And how about the best on-set
experience?
The fun-est was probably knocking
out 27 pages of Rustin Cohle, the
monologue, in less than two days [on
True Detective]. Maybe it was one day.
To knock all that out? Because it was so
many words. To knock it all out in one
sitting, was like, “Yeah!”

When you work with young actors


  • Timothée Chalamet on Bgm^klm^eeZk,
    for example - do you anticipate how
    their careers might turn out?
    I anticipated a certain confidence and an
    actual ability, a reverence for the craft.
    At the same time, really fluid and
    confident, and able to flow, able to
    improvise within the context of the
    character. But an original thinker. He
    was already thinking about his future
    and choices, and disseminating between
    what was expected of him, and what he
    was appreciative about, and what he
    actually thought he might do. He was
    just heading off to school that time. MM


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