OPPOSITE: A windy day in Paro Good choice to select a slower shutter speed on
a tripod. As an alternative, I would suggest hand holding for, say, even four
seconds, and embrace the blur. The results would be even more painterly
and poetic. portra 400/43mm/ ½/f16.Punakha Dzong Ah, you found my favorite part of Punakha Dzong. It reminds me of
some of Giorgio de Chirico's slightly surreal paintings of Roman architecture with long
shadows, illogical perspective and lonely figures in the distance. I would expose for
the direct sunlight to give the image more contrast and drama, and deepen the
shadows. portra 160 film/43mm lens/ 1/250 second/f 4 aperture.