- chapter 52: The Etruscan painted pottery –
Tiverios, M. A. (1976) “Oι “τυρρηνικoί” (αττικoί) αμφoρείς. Η σχέση τoυς με τoυς “πoντιακoύς”
(ετρoυσκικoύς) και τoν Nικoσθένη,” AEphem, 44–57.
Torelli, M. (ed.) (2000) Gli Etruschi, Exhibition catalogue, Venice, Milan: Hoepli.
Villard, F. and Gaultier, F. (1985) “Les stamnoi Fould. Un dernier éclat de la peinture sur vases en
Etrurie,” MonPiot 67, 1–30.
Vismara, N. (1985) “Ceramiche ellenistiche sovradipinte. Il Gruppo Ferrara T 585,” StClOr 35,
239–281.
Vistoli, F. (2008) “Una nuova acquisizione di ceramica ‘White-on-Red’ dall’ager Veientanus,”
OpAthRom 1, 63–77.
Voegtle, S. (2005) “Vier etrusko-korinthische Gefässe des Hercle-Malers in der Archäologischen
Sammlung,” ASammlUnZürch 31, 9–18.
von Bothmer, D. (1956) “Two Etruscan vases by the Paris Painter,” BMetrMus 14, 127–132.
Waiblinger, A. (1974) Corpus vasorum antiquorum. France, 26. Musée du Louvre, 17, Paris: Boccard.
——(1980) “Deux vases étrusques à couleur superposée du Musée du Louvre,” CRAI, 140–156.
Wehgartner, I. (1988) “Eine neue Pontische Oinochoe und Überlegungen zur Genese ihrer Form,”
AA, 303–325.
Werner, I. (2005) Dionysos in Etruria. The Ivy Leaf Group, Skrifter utgivna av Svenska institutet i
Rom. 40, 58, Stockholm: Åström.
Williams, D. (2005) “The beginnings of the so-called Pontic Group and other Italian black-fi gure
fabrics” in Adembri (ed.), 352–360.
——(2009) “The Hamilton Gray Vase” in J. Swaddling and P. Perkins (eds), Etruscan by Defi nition.
The Cultural, Regional and Personal Identity of the Etruscans. Papers in honour of Sybille Haynes,
MBE, London: Oxbow Books, 10–20.
Zilverberg, M. (1977) “Een La Tolfa amfoor in het Allard Pierson Museum,” VerAmstMeded 13,
9–11.
——(1986) “The Tolfa Painter” in Brijder, Drukker and Neeft (eds), 49–60.