The Globe and Mail - 18.02.2020

(Elle) #1

B16 O THEGLOBEANDMAIL| TUESDAY,FEBRUARY18,2020


I


n 1983, a wealthy American wandered into the
Royal Shakespeare Company in Stratford-upon-
Avon in England. He saw a scale model of a new
theatre that the company hoped to build, if only it
had the money. The American said he would under-
write the project, but he wanted to remain anony-
mous.
Three years later, the Queen presided at the open-
ing of the new Swan Theatre. The American, Frederick
R. Koch, who had built the theatre for US$2.8-million,
stood by her side. But she respected his wish for priva-
cy: She thanked “our generous benefactor” – but did
not name him.
Mr. Koch (pronounced coke) kept a low profile for
most of his life. When the news media mentioned him
at all, it was usually in passing in reports about his
three hard-charging billionaire younger brothers:
Charles and David, who ran Koch Industries, the in-
dustrial behemoth founded by their father, and bank-
rolled libertarian causes; and William, David’s twin,
an eclectic entrepreneur, collector and yachtsman
who won the 1992 America’s Cup. (David died in Au-
gust at 79.)
Frederick, who bore the aspect of an Edwardian
gentleman, had little in common with his brothers.
He devoted himself not to oil, the bedrock of Koch In-
dustries, or to politics, but to the arts and historic pres-
ervation.
Mr. Koch died Wednesday at his
home in Manhattan, where he had
lived, as he preferred, in relative ano-
nymity. He was 86. John Olsen, his
friend and long-time assistant, said the
cause was heart failure.
As an adult, Frederick, known as
Freddie, rarely saw his brothers, except
in court. In the 1980s and ’90s, the four
were embroiled in what Fortune maga-
zine called “perhaps the nastiest family
feud in American business history,”
with Charles and David, two of the rich-
est people in the world, allied against
William and Frederick.
While Frederick did not share the family’s corpo-
rate ethos, he did share, to a lesser degree, its immense
wealth. This allowed him to pursue his own interests.
A philanthropist and patron of the arts, he amassed
extensive collections of literary and musical manu-
scripts, rare books, photographs and fine and decora-
tive arts. His prized possessions included Marie Antoi-
nette’s canopied bed.
He also collected manor houses in Europe and the
United States. The crown jewel was a 150-room castle
in Austria once owned by Archduke Franz Ferdinand,
whose assassination in 1914 touched off the First
World War. The archduke used the castle, known as
Bluhnbach, as a hunting lodge; Mr. Koch used it for
decades as his summer retreat. It provided easy access
to the Salzburg Festival, which he attended every year.
Fred’s spurning of the family business helped fuel
the disappointment that Fred Chase Koch, a self-made
man and rugged individualist, felt toward his oldest
son.
“Father wanted to make all his boys into men, and
Freddie couldn’t relate to that regime,” Charles Koch
told the now-defunct Fame magazine in 1989.
William Koch, known as Bill, said in an interview
for this obituary: “When Freddie was born, he was del-
icate, he liked the arts, he was a singer and loved poet-
ry. He didn’t want to play baseball.”
And when their father sent the boys to ranches to
toughen them up, he rebelled. “Instead of baling hay,”
Bill said, “Freddie would hide in the hayloft.”
Bill Koch said that years later, their father discov-
ered that US$700 in traveler’s checks were missing
and believed that Frederick, who was visiting his par-
ents at the time, had stolen them. Frederick later told
Bill that he had not. In any case, their father was fu-
rious and, after a lifetime of frustration with his name-
sake, considered this to have been the last straw.
“He threw Freddie out of the house and cut him out

of his will,” Bill said. Through a trust, however, his fa-
ther, who died in 1967, left Frederick 14 per cent of the
company’s stock.
That inevitably tied his fate to that of the conglom-
erate, which today, according to Forbes, is the second-
largest privately held company in the country, with
annual revenues of US$110-billion. The Kochs are the
third-richest family in the United States, worth
US$125-billion.
By 1980, the brothers, always competitive with one
another, were engaged in open warfare over the fate of
the company. Much of it was driven by Bill, who enlist-
ed the support of Frederick and a half-dozen other
shareholders who wanted to take the company public
so that they could convert their stock to cash. Charles
saw their moves as a takeover attempt, and the board
fired Bill, leading to a lawsuit and 18 years of legal skir-
mishing.
In 1983, Koch Industries – essentially Charles and
David – settled with Bill, Frederick and the other dis-
sident shareholders for US$1.1-billion, with US$470-
million going to Bill and US$330-million to Frederick.
But as Fame magazine put it, “all the money in the
world hasn’t been enough to keep the family from fall-
ing apart.”
Bill and Frederick said they had been cheated in the
settlement and went back to court. In a tangential ac-
tion, they sued the directors of a family foundation,
which included their mother, Mary Koch. In response,
Bill said, their mother, who died in 1990, excluded him
and Frederick from her will.
The fight ended in 1998, when a fed-
eral jury in Topeka, Kan., ruled that Bill
and Frederick were owed nothing more.
Bill and Frederick eventually reconciled
with David, but not with Charles.
Bill and Charles Koch are the only im-
mediate family members Frederick
leaves. His entire estate, Olsen said, in-
cluding his investments, real estate and
art collection, will be used to establish a
foundation to promote the study of lit-
erature, history and the arts.
Frederick Robinson Koch was born in
Wichita, Kan., on Aug. 26, 1933. While his
father was emotionally distant, his mother, Mary
Clementine (Robinson) Koch, was a sophisticated
student of the arts and nurtured a similar passion in
Frederick.
He left the family home in Kansas in his teens for
the Hackley School in Tarrytown, N.Y., where he was
valedictorian in 1951. He studied humanities at Har-
vard, graduating in 1955. (His father and three broth-
ers all studied engineering at the Massachusetts Insti-
tute of Technology.)
After college, Frederick enlisted in the Navy Re-
serve, then enrolled at the Yale School of Drama,
where he studied play-writing and specialized in
Shakespeare. He received his master’s degree in fine
arts in 1961.
During the 1980s, Mr. Koch bought two apartments
and a half-dozen manor houses. He conducted exten-
sive research on these historic residences and allowed
the renovations to be guided by each home’s history,
setting and aesthetics. Among them were Sutton
Place, a 72-room Tudor mansion and estate in Surrey,
England, built in the 1500s; and, on the French Riviera,
the palatial Villa Torre Clementina, whose rounded
medieval stone towers overlook the Mediterranean.
Oneof Mr. Koch’s favorites was Elm Court, a Gothic
Revival mansion near Pittsburgh. The home’s dozens
of gables, stone chimneys and pinnacles suggest a
small English village.
In Manhattan, he owned two homes. One was a
white marble French Regency-style mansion on East
80th Street, where he died. It was commissioned in the
early 1900s by F.W. Woolworth for one of his daugh-
ters. Ornate paneling from the Palace of Versailles
lines the walls.
The other was a one-bedroom apartment on Fifth
Avenue, where he lived most of the time and felt most
at home.

NEWYORKTIMESNEWSSERVICE

ELDESTKOCHBROTHER


SPURNEDFAMILYBUSINESS


Unlikehisindustrialistsiblings,whomherarelysawoutsideacourtroom,
hedevotedhislifetotheartsandhistoricpreservation

FrederickKochisseenwithMargoLangenbergatadinnerinNewYorkin2016.Apatronofthearts,he
amassedlargecollectionsofrarebooks,photosandothermaterials.REBECCASMEYNE/THENEWYORKTIMES

FREDERICKR.KOCH


PHILANTHROPIST,86

KATHARINEQ.SEELYE

Fatherwantedto
makeallhisboys
intomen,and
Freddiecouldn’t
relatetothatregime.

CHARLESKOCH
BUSINESSMAN,ONHIS
BROTHERFREDERICK

OBITUARIES


TosubmitanIRemember:[email protected]
SendusamemoryofsomeonewehaverecentlyprofiledontheObituariespage.
PleaseincludeIRememberinthesubjectfield

Born Sept. 22, 1920, in Hertford,
England; died Dec. 21, 2019, in Victoria,
of cardio respiratory failure; aged 99.

S


ince her father was a headmas-
ter, Lavinia Malim was inculcat-
ed early with the importance of
education. As the youngest of a
large family and a woman, however,
her father said that university
would not be possible. Instead, she
was sent to learn how to cook and
keep house.
The Second World War changed
everything. Lavinia trained as an X-
ray technician and lived and worked
in London’s Middlesex hospital.
There, she fell in love with medical
student Kemble Greenwood, and
they married in 1943. They had three
children – the last child born in Sin-
gapore in 1949, where the family
lived during Kemble’s service with
the British Army. In 1954, looking for
new medical practice options, Kem-
ble and Lavinia moved to Canada, to
raise their three children in Victoria.
Lavinia had remained deter-
mined to attend university. At age
43, she started a Bachelor’s in chem-
istry, and eventually finished a mas-
ter’s in education at 59, all while
raising an unexpected fourth child,
Celia. (The Dean of Women came to
the hospital to invigilate one of her
exams, and gave her a break to feed
her newborn.) Celia tagged along on
many evening visits to the universi-
ty, and played with the punch card
machine in the computer lab while
she tried to run her data analysis.
There were numerous battles along
the way with her Master’s thesis ad-
visory committee. One of Lavinia’s
rare compromises was to replace
her chapter titles that she had based
on theJust So Storiesby Rudyard Ki-
pling (e.g., “How the camel got its
hump” for distributions of exam
scores).
Lavinia believed that education
and ability led to responsibility to
give back to the community, and
spent almost 30 years helping stu-
dents and the educational system.
During 10 years on the Victoria
School Board she infuriated many
by making decisions that she felt
were in the best interests of the stu-
dents, even when these decisions
did not align with the power dynam-
ics on the board; these struggles
were relived daily over the dinner
table. There would be strongly
worded comments on the stupidity
of open classrooms and teaching
reading by word recognition instead
of phonetics. She would send her
youngest to a school that started
students with a fully phonetic al-
phabet when the local school did
not.
Lavinia spent 25 years at the Open
Learning Institute in British Colum-
bia, where she taught, by corre-
spondence, math, physics and
chemistry to adult students who
wanted to finish high school. She be-
lieved in strong fundamentals, even
telling one student, over the tele-
phone, to go back and learn the
times tables properly or they would
never be able to pass math.
When Celia was young (her sib-
lings had long moved out), the fam-
ily would sit and read companion-
ably over afternoon tea, with fre-
quent interjections from Lavinia as
she perused texts on educational
theory or practice: “Did you
know...” or “Listen to this, ...”. One
of her often-told family stories was
of her shock when a university stu-
dent and potential lodger com-
plained that her house contained
too many books.
In later years, Lavinia was over-
joyed to be able to help fund gradu-
ate education for some of her chil-
dren and nine grandchildren. Her
youngest grandchild is presently at
university, and this she never forgot
even as other memories began to
disappear. Learning was a lifelong
passion.

CeliaGreenwoodisLavinia’sdaughter.

Educator.


Leader.


Matriarch.


Anchor.


LaviniaMaryGreenwood

LIVESLIVED


LAVINIAMARYGREENWOOD
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