Brand Focus The Dalmore
Issue 167 | Whisky Magazine 31
“People are going to say, ‘Isn’t it
going to be a bit woody?’ I say no,”asserts Richard. “Not if you use the
right cask to get the right style andensure that when you hold it in the
mouth it goes down like silk.” He’s notβǤǡ
β
ǡ
century of maturation, and the distillerycharacter is remarkably pronounced.
Amongst notes of dark chocolate, cigar
ǡ
ǡ
cake, and plum wine, there’s also plentyǡ
spirit presence and fabulous mouthfeel.
β
‘old English marmalade’ and explainsthat orange is in fact the cornerstone
of the Dalmore spirit style. What’sparticularly striking is the superb
β
β
ǡ
whisky and dominated its character.“The whisky has been brought
β
oak from the Ozark Mountain Range
ǡǯͶͲǡͲͲͲof natural forest. When you talk about
ǡwhisky and allows it to settle down for
ǡǡβǡͳͲǡʹͲǡdzRichard. “But what we did with this
Dalmore, as it went down that runwayof maturation, we took it and decided
we wanted to make something really
Ǥǡͳͻ͵ ͅǡ
almost the war years (war wasn’t
͵ͳͻ͵ͻȌǡ
so there were restrictions on thisparticular port Colheita. It’s full of body
ǡ
in its own right.”In Portuguese, Colheita translates
Ǯǯwine made in a single year, from a single
ǡ
ȋȌbottling, though it is often matured
in cask for many decades. This differsfrom Vintage port, which is made using
grapes from only one exceptional yearand is not matured for more than two
years in oak before being ‘declared’ aVintage. At this point it is bottled ‘on the
lees’ (that is to say, complete with dead
ǤȌ
be bottle-aged for many years beforeǤǡǡ
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