verisimilitude of the image (like the birds of Zeuxis), but of the effect of the
Real that he conveys through the image into the soul of the recipient,
indicated by her fluttering heart. Yet she misapprehends this inward
mimesis as outward: upon viewing the image for the third time, she
Figure 9Antonin Sevruguin,“Taq-e Bustan, Sasanian Rock Reliefs, Large Vault with
Relief of Khusro II,”photographic print, 1880s–1930. Myron Bement Smith Collection:
Antoin Sevruguin Photographs, Freer Gallery of Art and Arthur M. Sackler Gallery
Archives. Smithsonian Institution, Washington, DC: Gift of Katherine Dennis Smith,
1973 – 1985, FSA A.4 2.I2.GN.39.11
206 The Transcendent Image