CLOCKWISE FROM TOP RIGHT: SALVADOR DALÍ © 2020 SALVADOR DALÍ, FUNDACIÓ GALA-SALVADOR DALÍ, ARTISTS RIGHTS SOCIETY (
BAZAAR,
SEPTEMBER 1935); JOHN BALDESSARI,
FRONT ROW: NUMBERED LEGS,
2015, 27 COLOR SCREENPRINT ON PAPER, 21 x 43 IN (53.34 x 109.22 CM),
GEMINI G.E.L., EDITION OF 50, COURTESY THE ESTATE OF JOHN BALDESSARI (BAZAAR,JUNE/JULY 2014); LIU BOLIN,LOST IN FASHION–ALBER ELBAZ FOR LANVIN,2011, ARCHIVAL PIGMENT PRINT, 120 x 150 CM, © LIU BOLIN, COURTESY LIU BOLIN/GALERIE PARIS-BEIJING, PARIS(BAZAAR,MARCH 2012). MAN RAY © MAN RAY 2015 TRUST/ARTISTS RIGHTS SOCIETY (ARS), NY/ADAGP, PARIS 2020 (BAZAAR,NOVEMBER 1936); MICKALENE THOMAS,BAZAAR,OCTOBER 2018; ANDY WARHOL © 2020 THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS, INC./LICENSED BY ARTISTS RIGHTS SOCIETY (ARS), NEW YORK (BAZAAR,DECEMBER 1960); PHOTO: JASON SCHMIDT/TRUNK ARCHIVE. ARTWORK: TAKASHI MURAKAMI © TAKASHI MURAKAMI/KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED (BAZAAR,DECEMBER 2013/JANUARY 2014)Clockwise from top right: Salvador Dalí’s “‘Dream’ Fashions,” September 1935; John Baldessari’s Front Row: Numbered Legs, June/July 2014; Liu Bolin’s
Lost in Fashion–Alber Elbaz for Lanvin, 2011, March 2012; Man Ray’s photograph of a model underneath his painting Observatory Time—The Lovers,
November 1936; a Mickalene Thomas collage featuring partner and muse Racquel Chevremont, October 2018; Andy Warhol’s artwork for Bazaar,
December 1960; Takashi Murakami, model Angela Lindvall, and Luxor photographed by Jason Schmidt for the December 2013/January 2014 issue