2019-07-01_Uncut_UK

(singke) #1

JULY 2019 • UNCUT• 111


As it transpires, the death of Arnaud’s
mother is just the latest setback in a difficult
time; he is separated from his wife and
is floored when she files divorce papers
asking for sole custody of the child. Despite
such tragedies, Thunder Road is actually a
comedy, albeit a very dark one, heightened
by Cummings’ beautiful all-in performance.
The film is an extension of a short
Cummings made in 2016, and after a while
its origins begin to show: it becomes a solid
character piece in search of a narrative, and
often Arnaud’s journey seems a little forced,
straining to reach the 90-minute mark. But
there are some wonderful moments here,
with a terrific supporting cast (including
Blue Ruin’s Macon Blair as a concerned
teacher) that really lift this beyond a quirky
indie piece to something uncomfortable and
even profound, throwing light on the more
hidden recesses of masculinity by testing the
limits of its protagonist’s fragile ego.


hALston “Halston, Gucci, Fiorucci...”
Roy Halston Frowick once held his own
against the world’s fashion elite, and even
warranted a namecheck in the 1979 Sister
Sledge hit “He’s The Greatest Dancer”. At
that time, Halston held court at Studio 54,
counting the likes of Andy Warhol, Elizabeth
Taylor and Liza Minnelli among his
showbiz friends. A little more than a decade
later, however, he would be pretty much
forgotten. This extraordinary documentary
is a surprisingly compelling portrait of a
visionary and often ruthless designer whose
ambition proved to be his downfall.
The framing device is a little strange
and somewhat unnecessary – a fictitious
employee sets us up for a noir-style thriller



  • but,whenit getsintoitsstride,Frédéric
    Tcheng’sfilmbecomesa powerfulcharacter
    study,likePhantomThreadmighthave
    beenif PTAndersonwasstillinBoogie
    Nightsmode.Lookingback,it’sbizarrethat
    Halstonisn’tbetterknown:asa millinery
    designer,hegaveJackieKennedyherfamous
    pillboxhat,and,incredibly,it seemsit was
    hisidea(notSteveRubell’s)toputBianca
    JaggeronthatwhitehorseatherStudio 54
    birthdaybash.Buttheseareincidentals;
    what’smostfascinatingaboutthisdocis the
    businessoffashionandthemachinations
    ofthecorporationsthatfundtheartisans.
    ThestoryofHalston’sperfumeragecould
    possiblywarranta documentarybyitself.
    Druguseis teasinglymentioned,covered
    bya singleanecdoteinvolvingmysterious
    envelopesstuffedwith“thousands”of
    dollars,andHalston’ssexlifeisn’treally
    exploredeither(Minnelliprimlyrefusesto
    dishthedirtona mansheclearlymisses).
    Buttheseabsencesaren’tsoserious– they
    justleaveroomfora killerbiopic,ofthe
    kindonlya trueNewYorkerlikeScorsese
    orFerraracouldeverdojusticeto.


LAteniGhtModernworkplacecomedy
whereEmmaThompsoncommands
thescreenastheimperiousKatherine
Newbury,hostofa late-nightNewYork
televisionchatshow.Newburyis morein
theveinoftraditionaltalk-showhostslike
DavidLettermanandConanO’Brienthan
youngerupstartslikeJamesCordenandJohn
Oliver.Sheis fêted– butasthestoryopens,
Newbury’sshowhaslostitssparkle.Asa
resultofa corporatechangeover,herbossis
lookingattheviewingfigures.Newburyhas
oneseasonleft,andif thingsdon’timprove,
hercontractwillnotberenewed.This
wake-upcallsendsNewburyintofreefall,
andherfirstinstincttogettogripswiththe
modernworldis tomakea diversityhirein
thewriter’sroom– inthiscaseMolly(Mindy
Kaling),a standupcomedian.
Thesetupis a familiarone,inwhich
oppositesmustworktogethertofightthe
middle,andtheframeworkoftencreaks
underthelaboriousneedtoinjecta seriesof
unlikelyromanticinterjectionsandhaveits
characterslearncosy,rosylifelessons,much
ofwhichservestoundercutNewbury’sfrosty
persona.Butthejokes,whentheyland,are
freshandbarbed,largelyattheexpense
ofNewbury’spale,maleandstalecreative
team,andKalingis anengaging,down-to-
earthfoil.Nevertheless,thisis (literally)
EmmaThompson’sshowandshestealsit
accordingly,whichmorethanmakesupfor
thesometimespatchypacing. DAMONWISE

When the bullets fly,


Birds Of Passage is


as satisfying as any


Hollywood thriller


roCKetmAn
OPENS MAY 22
Elton John – for it is he – hopes for some
Queen magic in an extravagant biopic.

John mcenroe: in the
reALm oF PerFeCtion
OPENS MAY 24
Documentary set at the final of the
1984 French Open between tennis
giants McEnroe and Ivan Lendl.

GodZiLLA: KinG oF
the monsters
OPENS MAY 29
He comes to crush puny humans!
Charles Dance, no less, is among the
very scared.

the BLUe AnGeL OPENS MAY 31
Welcome reissue for von Sternberg’s
1930 melodrama that launched
Marlene Dietrich to global stardom.

X-men:dArKPhoeniX
OPENSJUNE 5
Oneday,therewillbenomoreMarvel
films.Thinkonthat.

LiAmGALLAGher:Asit wAs
OPENSJUNE 5
Documentaryaboutthatguy,as
hedoeshisthing.Warning:possibly
involvessomeswearing.

KindheArts& Coronets
OPENSJUNE 7
Altogethernow:“I alwayssaythatmy
westwindowhasalltheexuberance
ofChaucerwithout,happily,anyofthe
concomitantcruditiesofhisperiod.”

dieGomArAdonA
OPENSJUNE 14
FromAmydirectorAsifKapadia,this
focusesontheArgentinianfootballer
duringhis‘80sheyday.

meninBLACKinternAtionAL
OPENSJUNE 14
Unexpected,buthere’sChris
HemsworthheadinguptheMiB’s
UKbranch.

sometimesALwAYsnever
OPENSJUNE 14
DirectorialdebutfromFarmbassist
CarlHunterwithBillNighy– himagain!–
reconnectingwithhismissingson.

ALso oUt...


X-Men:
Dark
Phoenix
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