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THEWEEK 28 March 2020

ARTS

The Week’s own podcast, The Week Unwrapped, covers the biggest unreported stories of the week (available on Apple and Google)

Radiois“alwaysthebestmedium
inacrisis”,saysMirandaSawyer
inTheObserver.Fornews,
opinionandlistenerreaction,
I’drecommendinparticular
YourCallandEmmaBarnett
on 5 Live,andNickFerrariand
JamesO’BrienonLBC.Butthese
days,someofthebestaudioison
podcasts–andnowisagoodtime
tojointhatrevolution.

TheCoronavirusNewscast
BBCSoundsInthecurrent
emergency,theBBCwasquick
offthemark,producingadaily
coronaviruspodcastthathas
sincebeenmergedwithits
popularNewscaststrand
(formerlyBrexitcast).Providinga
farmoreinformalandfree-flowingtakeoneventsthanonRadio
4,say,thepodcastersinvolvedincludetheBBCpoliticaleditor
LauraKuenssbergandAnyQuestions?presenterChrisMason.

13 MinutestotheMoonBBCSoundsIf, however, what you
really want istoescape the here and nowentirely,theWorld
Service’s13 Minutestothe Moonisonetocheckout,says
Graham Readfearnin TheGuardian. During the Apollo 1 1
missionof1969,there wasatense13-minute periodbetweenthe
lunarlanderdetachingfromthe mothership, and landing onthe
Moon’ssurface.Thispodcasttakesyou throughthoseminutes
in grippingdetail.Itfeatures newinterviews,archived interviews

frommanyofthosewhowere
there –andoriginalmusicbythe
greatGermanfilmcomposerHans
Zimmer.Asecondseries,looking
atthedoomed Apollo 13 mission,
hasjuststarted–butbesuretostart
withthis12-episodefirstseries.

TheLastBohemiansAudioboom,
ApplePodcasts,Spotify,TuneIn
andStitcherConsistingof“superior
portraits”ofpioneeringwomen
inartsandculture,thisriveting
podcastwasoneofthebestof
2019 ,saysFionaSturgesinthe
FT.Nowit’sbackforasecond
series,kickingoffwithfolklegend
JudyCollins.Asbefore,the
productionis“delicateand
atmospheric”,withminimal
interventionsfromhostKateHutchinson.

Ifyou’renewtopodcasts,andwantsomeintellectualstimulation
to seeyou throughthecrisis,startwithone ofthese classics, says
TheTimes. No“sociallyaspirationalCovid-19victim should
self-isolatewithout”TheNewYorkerRadioHour(subscribeat
newyorker.com),or ThisAmericanLife,whichdelvesinto such
diversetopicsassharkattacks and schoolshootings.Theentire
archiveof690+episodesisavailableatthisamerica nlife.org.
Finally,in RevisionistHistory,Malcolm Gladwellfinds “big
stories intinymatters”. Youcanfindit atrevision isthistory.com
orviapodcastappssuchasGoogle, Apple,Stitcherand Spotify.

Podcasts... from virus reaction to space history

Folk legend Judy Collins: subject ofa“superior portrait”

Porridge Radio:
Every Bad
Secretly
Canadian
£10

Dana Margolin recently declared her post-
punk indie band Porridge Radio “the best
band in the world”, said Rhian Daly on
NME. It wasabold assertion–but this
second album from the Brighton rockers
“is abold, brilliantrecord”. They may
indeed be one of British music’s “next
great hopes”. An “intoxicating reflection
on trying to figure out life in your mid-20s”,
EveryBadbreathes “fresh life into indie”
withasound that brings to mind such
illustrious forebears as Elastica and the
Pixies, while being entirely distinctive.
This “spiky, strange and uncomprom-
isingly brilliant” album reveals the
“sardonic” Margolin to be “one of rock’s
great screamers”, agreed Alexis Petridis
in The Guardian. Her “hoarse, guttural
sound seems dredged up from somewhere
deep within, an authentic expression of
something dark and tormented, rather
than an edgy embellishment”. From a
“resolutely uncommercial background”,
Porridge Radio has made “something that
could be–and certainly deserves to be –
big. But without losing their strangeness.”

From the moment it opens, the New
Zealand singer-songwriter’s third album
“has you hooked”, said Lisa Verrico in The
Sunday Times. Listening to this “intimately
delivered” record is like eavesdropping on
“snippets” of the artist’s life. Who is the ex
she hears on the radio onHearttoRide?
Where is the place inIDon’tWannaTake
AnythingfromYouthat “looks immaculate
at four in the morning”? The cumulative
effect is “bewitching”–while “sumptuous
brass and strings ratchet up the drama”.
Twenty-eight-year-old Reid has “come
of age” on this outstanding album, said Will
Hodgkinson in The Times, with an “airy,
jazzy mood” and “evocative yet oblique
lyrical approach” that recallHejira-era Joni
Mitchell. The tone moves from “exquisite
self-pity” on the country rockingHigh&
Lonelyto tentative romance (AllofMy
Love), to the frustrations and resignation
of the long-distance lover (OtherSideofthe
Wheel). With Reid’s fine voice close up to
the microphone, this is an intimate, deeply
personal record: “one for late nights, spent
indoors, with the lights down low”.

“Here isadiscthatlives up to itstitle”,
sai dErica Jeal in The Guardian. OnEpic,
the French baritone Stéphane Degout and
English pianist Simon Lepper treat us to a
“stormy sequence of songs and ballads”
in the German Romantic tradition–works
by the likes of Schubert, Loewe, Schumann,
Wolf, Brahms and Liszt, delivered with
real storytelling panache. There’s “some
seriously superb singing on this disc:
throughout, there’s the thrill of hearing a
big voice perfectly calibrated to the music
in hand, used with absolute security”.
It’s “quiteaperformance” from Degout:
vividly dramatic, yeta“masterclass in
vocal control”–while Lepperoffers
“flo wing”, perfectly judged support.
Degout is sublime, agreed Stephen Pettitt
in The Sunday Times. From Schubert’sDer
Zwergto Wolf’s “diabolic”DerFeuerreiter,
the Frenchman “entices, terrifies and
enthrals”. For two pieces by Brahms, the
baritone and his “excellent” pianist are
joined by the mezzos Felicity Palmer and
Marielou Jacquard, while Liszt’sPetrarch
Sonnets,“beautifull ydone, end the recital”.

Nadia Reid: Out
of My Province
Spacebomb
£10

Albums of the week: three new releases
Stéphane
Degout/Simon
Lepper: Epic –
Lieder &
Balladen
HarmoniaMundi
£13

©L


AURA KELLY

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