Figure 9-36.
Figure 9-37.
I’ve provided the same images in JPEG format, which you can use if the
larger DNGs slow your computer too painfully. You’ll get similar results,
although some detail may be lost. Even if you stick with DNGs, Photoshop
may warn you that HDR Pro prefers raw files (which DNGs are, of course).
Just click OK either way.
- Evoke HDR Pro. Click the tools icon at the top right of the Con-
tent panel, and choose Photoshop→Merge to HDR Pro, as shown
in Figure 9-36. (You’ll note that Photomerge is available from this
Mini Bridge menu as well. Analogously, you could access HDR
by choosing Tools→Photoshop→Merge to
HDR Pro in the Bridge proper.)
Much like when you launched Pho-
tomerge, Photoshop goes to work calculat-
ing how it’s going to combine the images.
After a noticeable amount of time, you’ll
be presented with the Merge to HDR Pro
window, as shown in Figure 9-37, which
displays your combined preview in the
large window, your component images
across the bottom, and an array of slider
controls along the right side.
High Dynamic Range (HDR) 329