Eastern and Central Europe (Eyewitness Travel Guides)

(Ben Green) #1

134 NORTH EASTERN EUROPE


For hotels and restaurants in this region see pp160–61 and pp162–3


Melnikov House w


Дом Мельникова
Dom Melnikova


Krivoarbatskiy pereulok 10. Map B3.
q Smolenskaya.


This unique house was
designed by Konstantin
Melnikov (1890–1974), one of
Russia’s greatest Constructivist
architects, in 1927. Made from
brick overlaid with white
stucco, the house consists of
two interlocking cylinders.
These are studded with rows
of hexagonal windows, creat-
ing a curious honeycomb
effect. A spiral staircase rises
through the space where the
cylinders overlap, linking the
light, airy living spaces.
Melnikov’s house was built
for his family, but it was also
to have been a prototype for
future housing developments.
However, his career was bligh-
ted when Stalin encouraged
architects towards a new
monu mental style. In spite of
this, Melnikov was one of the
very few allowed to live in a
privately built dwelling in
central Moscow. His son,
Viktor, had a studio in the
house until his death in 2006.


A portrait of Pushkin’s wife,
Natalya Goncharova

Viktor Melnikov’s light-filled art
studio in the Melnikov House


Pushkin Museum
of Fine Arts r
Музей изобразительных
искусств имени АС
Пушкина
Muzey izobrazitelnykh
iskusstv imeni A.S. Pushkina

Ulitsa Volkhonka 12. Map C3.
Tel 697 9578. q Kropotkinskaya.
 1,2,16, 33. # 10am–7pm Tue–
Sun. & 8 9 = English.
http://www.museum.ru/gmii

Founded in 1898, the Pushkin
Museum of Fine Arts houses
several excel lent French
Impressionist and Post-
Impressionist paint ings. These
reflect the tastes of many private
collec tors, whose hold ings were
nationalized by the Soviet gover-
n ment. The most important of
these belong to two outstand ing
connois seurs, Sergey Shchukin

Pushkin


House-Museum e


Mузей-квартира А.С.
Пушкина
Muzey-kvartira A.S. Pushkina


Ulitsa Arbat 53. Map B3. Tel 241



  1. q Smolenskaya. # 10am–
    6pm Wed–Sun, 10am–9pm Thu. &
    ^ 8 English (book in advance).


Alexander Pushkin rented
this elegant, blue and white
Empire-style flat for the first
three months of his marriage


to society beauty Natalya
Goncharova. They were
married in the Church of the
Great Ascension on Bolshaya
Nikitskaya ulitsa in February


  1. However, by May 1831
    Pushkin had tired of Moscow,
    and the couple moved to St
    Petersburg, where a tragic fate
    awaited him. Gossip began to
    claim that Pushkin’s brother-
    in-law, a French officer called
    d’Anthès, was making advan-
    ces to Natalya. Upon receiv-
    ing letters calling him “Grand
    Master to the Order of
    Cuckolds”, Pushkin challenged
    d’Anthès to a duel, dying of
    his wounds two days later.
    The ground floor exhibition
    gives an idea of what the city
    would have been like when
    Pushkin was growing up,
    before the Great Fire of 1812.
    Among the prints, litho graphs
    and water colours there are
    some unusual wax figures of
    a serf orchestra that belong ed
    to the Goncharova family.
    Pushkin and Natalya lived
    on the first floor. There are
    very few personal possessions
    here, although the poet’s
    writing bureau and some
    family portraits are displayed.
    The atmosphere resembles a
    shrine more than a museum,
    an indication of the special
    place Pushkin has in the
    hearts of Russians.


Cathedral of Christ
the Redeemer t
Храм Христа Спасителя
Khram Khrista Spasitelya

Ulitsa Volkhonka 15. Map C4.
q Kropotkinskaya.

Rebuilding this cathedral,
blown up on Stalin’s orders in
1931, was the most ambitious
construction project by the
enterprising mayor of Moscow,
Yuriy Luzhkov. The basic
struc ture of the new cathedral
was built between 1994 and


  1. Before this, the site was


and Ivan Morozov. Shchukin had
over 220 paintings by French
artists, including Cezanne, and
had also champ ioned Matisse
and Picasso when they were
rela tively unknown. Morozov
also collected these two painters
along with pic tures by Renoir,
Van Gogh and Gauguin. High-
lights include Nude by Renoir,
The Great Buddha by Gauguin
and Goldfish by Matisse.
Following the collapse of
the Soviet Union, the curators
admitted that they had count less
works of art hidden away for
ideo logi cal reasons. Some of
these are now on display,
includ ing paint ings by Russian-
born artists Vasily Kandinsky
and Marc Chagall. There is an
envi able collection of Old
Mas ters and art from ancient
civi lizations, such as the
Treasure of Troy display, with
gold artifacts excavated from
the famous city in the 1870s.
Free download pdf