Eastern and Central Europe (Eyewitness Travel Guides)

(Ben Green) #1
423

Prešeren Square^4
Prešernov trg


Map E2 & 3.


Standing at the junction
between Ljubljana’s Old Town
and the 19th-century districts
on the west bank of the
Ljubljanica river, Prešeren
Square is the symbolic heart
of the city. It is named in
honour of France Prešeren,
the Roman tic poet whose
patriotic verses were central
to the develop ment of a
Slovene national conscious-
ness. Prešeren is commemo-
rated by a monu ment in the
centre of the square, portray-
ing the poet with a book in
hand, accom panied by a
muse. Opposite the statue is
the Franciscan Church, con-
tain ing a fine 18th-century
high altar by famous Italian
sculptor Francesco Robba.
Around the square are some
of the finest Art Nouveau struc -
tures in Ljubljana. On the


LJUBLJANA

Dragon sculpture,
Dragon’s Bridge, Market

from the Adriatic Sea. The
lower storey also has a
simple seafood snack bar
and an arcaded terrace
looking out on to the river.
Outside the colonnade
are stalls selling souvenirs,
herbs and speciality foods.
Just east of this area is the
main fruit and vegetable
section of the market, where
trestle tables fill the broad
expanse of Vodnikov Square.
Presiding over the south ern
end of the square is a statue
of Valentin Vodnik, the famous
priest and poet whose
works helped to shape the
modern Slovene language.
Marking the eastern end
of the market is the Dragon’s
Bridge (Zmajski
most), named after
the personable
bronze dragons – a
traditional symbol
of the city – adorn-
ing each of its four
corners. Built to mark
the 60th birth day of
Austrian Emperor
Franz Josef in
1901, the bridge
also features a
row of ornate Art
Nouveau lampposts.


northeastern corner, the
Centromerkur Building, top-
ped by a statue of Mercury,
the Roman god of commerce,
was built as a depart ment
store in 1903. On the
opposite side of the
square is the angu lar
Hauptman House,
deco rated with multi col-
oured tiles. Just behind
the house, the building
at Wolfova No. 4 fea-
tures a relief of
the 19th-cen tury
beauty Julija
Primic, peering
from a first-floor
win dow. Primic was the
object of France Prešeren’s
unre quited love and the
inspi ration behind many
of his poems.
A short walk north along
Miklošičeva cesta leads to the
most vivacious of Ljubljana’s
buildings, the Cooperative
Bank built by architect Ivan
Vurnik in 1922. Covered in
bright red, yellow and blue
chevrons, it is a unique
mix ture of Art Deco and
folk art influences.

Superb interior of Slovenia’s National Gallery

National Gallery^5
Narodna galerija

Prešernova 24. Map D2. Tel (01)
241 5418. # 10am–6pm Tue–Sun.
& 7 - = http://www.ng-slo.si

Slovenia’s national art
collection occupies an ele-
gant 19th-century building
with stucco ceilings and
ornate chandeliers. A modern
annexe was added in 2001.
At the junction of the two
build ings is a tall atrium
holding Francesco Robba’s
original Fountain of the Three
Rivers of Carniola, completed
in 1751, symbolizing the
meeting of the Sava, Krka
and Ljubljanica rivers. The
foun tain initially stood in the
Old Town, but was replaced
by a replica in 2006.
The gallery’s Slovene
collection is particularly rich
in Gothic statuary; high lights
include a 13th-century
Madonna on Solomon’s
Throne, carved by the little-
known Master of the Solčava
Maria. There is also an out-
standing collec tion of work
by Slovene Impressionists
such as Rihard Jakopič, Matija
Jama and Matej Sternen,
whose canvases exalt the
Slovene land scape and its
peasantry in the years before
World War I.
The European galleries
contain an impres sive cross-
section of Flemish still life
and genre paintings, a rich
collection of Baroque altar
pieces, and Max Reichlich’s
early 16th-century carving
Killenberg Triptych, in which
the Virgin Mary and St Anne
nurse the infant Jesus.

Statue of Romantic poet France
Prešeren, Prešeren Square
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