Belgium and Luxembourg (Eyewitness Travel Guides)

(WallPaper) #1

Architecture


Throughout its history, Belgium’s international bonds have
linked it to the changing trends of European architecture.
It was first influenced by Romans, then by the Christian
Church and later by styles from across trans-European
trade routes. Belgian architecture mirrored trends in Italy
and France, moving from Romanesque through Gothic
to Baroque and Neo-Classical. However, it always added
its own distinctive touches, as seen in the robust muscu-
larity of Scheldt Gothic, in the graceful Brabant Gothic
and in the Flamboyant Gothic of town halls. In the 1890s,
Belgian architects pioneered the Art Nouveau style.

28 INTRODUCING BELGIUM AND LUXEMBOURG


St-Niklaaskerk in Ghent (see
pp132–3) was built between the
13th and 15th centuries in
the austere and elegant Scheldt
(or Scaldian) Gothic.

The Collégiale Ste-Gertrude
(built 1046) at Nivelles is in
the Romanesque style called
Ottonian, with the high, tur-
reted Westbau (see p199)
forming a second transept.

St-Romboutskathedraal in
Mechelen is a masterpiece
of Brabant Gothic. After
three centuries, work ceased
suddenly in 1546, leaving
the tower unfinished.

The Stadhuis in Leuven (see p160)
was built between 1448 and 1463
and is the most magnificent exam-
ple of a secular Flamboyant Gothic
building in Belgium. Its façades are
encrusted with elaborate stonework
of lace-like intricacy, and hun-
dreds of fine statues and carvings.

Cathédrale Sts-Michel-et-
Gudule (see p63) is con-
structed mainly in the
Brabant Gothic style of the
14th and 15th centuries.

1000 1100 1200 1300 1400

1000

ROMANESQUE
1100 1200 1300 1400

GOTHIC
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