The Washington Post - 03.03.2020

(Barré) #1

C4 eZ sU THE WASHINGTON POST.TUESDAy, MARCH 3 , 2020


Television


BROADCAST CHANNELS
3/3/20
7: 00 7: 30 8:0 08 :30 9: 00 9:30 10 :0 01 0: 30 11: 00 11:30
4.1 WRC (NBC) u News u Hollywood u NBC News Decision 2020 Super Tuesday (Live) News u J. Fallon
4.2 WRC (IND) The MunstersThe MunstersFrasier Fr asier Roseanne Roseanne Roseanne Roseanne The NannyThe Nanny
5.1 WTTG (Fox) Fox 5 u TMZ u The Resident u EmpireFox 5 News at 10News The Final
7.1 WJLA (ABC) u Wheel u J’pardy! u Super Tuesday: Your Voice Your Vote 2020 (Live) News u Kimmel
9.1 WUSA (CBS) Q&A u ET u CBS News Election Special -- Super Tuesday: High Stakes (Live) 9 News u Late-Colbert
14 .1 WFDC (UNI) La Rosa de Guadalupe RingoAmor eterno Destino 2020: Supermartes Noticias u Noticiero
20.1 WDCA (MNTV)u Family Feudu Family Feud Fox 5 News u Family Feud Fox 5 News u Extra Big BangBig Bang u Chicago P.D.
22 .1 WMPT (PBS)Farm-Harvest OutdoorsRise Up: Songs of the Women’s Movement Dr. Fuhrman’s Food as Medicine Tuesday Soul Legends
26.4 WETA (PBS) PBS NewsHour Suze Orman’s Ultimate Retirement Guide Relieving Stress With Yoga Tuesday Rick
32.1 WHUT (PBS) Democracy Now! Special
50.1 WDCW (CW) u black-ish u black-ish u The Flash u DC’s Legends of Tomorrow Fr iends u Seinfeld Mike & Molly Two Men
66.1 WPXW (ION) Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds
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A&E The First 48 The First 48 First 48: Tracking First 48: Tracking (11:06) The First 48
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HBO (5:55) Movie: Hunter Killer The Outsider Movie: Hall Pass HH (2011) Avenue 5 High Main. (11:45) Shaft
HGTV Hunt Intl HuntersLove It or List It Unsellable Unsellable One/Kind One/Kind Love It or List It
History The Curse of Oak Island Digging Deeper Curse-Island Project Blue Book (11:05) The UnXplained
Lifetime (6:00) Big Momma’s House Movie: Tyler Perry’s Madea Goes to Jail HH (2009) (10:03) Movie: Just Wright HH (2010)
MASN College Basketball : Duquesne at VCU (Live) Orioles Classics
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MTV Catfish: The TV Show Siesta Key (9:01) Siesta Key Ridic. Ridiculous. Ridiculous. Ridiculous.
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Syfy Movie: Underworld: Blood Wars HH (2016) Movie: The Purge HH (2013) Futurama Futurama
TBS Big BangBig BangBig BangBig BangBig BangBig BangBig BangMiracle Work. Conan Miracle Work.
TCM (6:00) Movie: Saratoga HH Movie: Freedom on My Mind HH (1994) Crisis: Behind a Presidential Commitment Say Amen
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TV Land Andy Griffith Andy Griffith Raymond Everybody Loves Raymond Raymond Two Men Two Men King King
TV One Fam. MattersFam. MattersSanfordSanfordSanfordSanfordSanfordSanfordCosby Show Cosby Show
USA Network Law & Order: SVU Law & Order: SVU The Biggest Loser Chrisley Chrisley Chrisley Chrisley
VH1 Wild ’n Out Wild ’n Out Wild/Out Wild ’n Out Wild ’n Out Wild ’n Out Wild ’n Out Wild ’n Out Wild ’n Out Wild ’n Out
WNC8 Super Tuesday Govt. MattersABC 7 News Sports ABC7 WJLA 24/7 News at 10News Govt. Matters
WGN Movie: Night at the Museum: Battle of the Smithsonian Movie: Night at the Museum: Battle of the Smithsonian Married Married
LEGEND: Bold indicates new or live programs u High Definition Movie Ratings (from TMS) HHHH Excellent HHH Good HH Fair H Poor No stars: not rated

the Flash (CW at 8) Kid flash
returns to Central City with new
tricks up his sleeve.


siesta Key (MtV at 8) ish comes
back to siesta Key with a big
question for Madisson.


DC’s legends of tomorrow
(CW at 9) Charlie and Constantine
make a deal to work together.


schitt’s Creek (Pop at 9)
Moira offends the townspeople in
an interview with People
magazine. Johnny becomes too
involved in Alexis’s love life.


empire (fox at 9) Andre makes an
important decision about his
health and career.


siesta Key (MtV at 9) Jake
a nd Kelsey face a tough hurdle.


returnIng


reasonable Doubt (iD at 10)
season 3.


lAte nIgHt
Conan (tBs at 11) Joel McHale.

Daily show/noah
(Comedy Central at 11) David
Plouffe.

tonight show/Fallon
( nBC at 11:34) Kevin Bacon, tan
fr ance, taylor tomlinson.

Jimmy Kimmel live
( ABC at 11:35) Ben Affleck, Justina
Machado, Victoria Monet.

late late show/Corden
( CBs at 12:37) Martin fr eeman,
Pete Holmes, Bad Bunny.

late night/Meyers
( nBC at 12: 37 ) John oliver,
elizabeth Debicki, Jenny offill,
glen sobel.

A little late/lilly singh
(nBC at 1:40) erin Moriarty.

— Nina Zafar

More at washingtonpost.com/
entertainment/tv

tV HIgHlIgHts


Allyson riggs/netflix
taylor tomlinson: Quarter-life Crisis (netflix) the comedian talks about
working on yourself, relationship goals and why your 20s are not really
“the best years of your life.”


hopeless were once abandoned to
die; in more “enlightened” times,
warehoused. We’ve made prog-
ress, surely, but people who fall
outside the parameters of our ide-
als are still largely excluded. “How
many lives have been smothered,”
Leduc asks, “or disappeared or
haven’t been allowed to flourish
because of the stories we tell?”
They a re, of course, just stories.
But over and over again, Leduc
notes, those stories suggest that
the disabled character is someone
to be feared or someone to grate-
fully receive our charity or some-
one to provide us with uplift: “The
beautiful cripple — so useless but
so saintly.” Inevitably, “the aim of
the narrative is to eradicate the
disabled life rather than change
the world so that the disabled life
can thrive.”
Such changes are possible —
and long overdue. Watch your
language. Challenge your stories.
read this smart, tenacious book.
[email protected]

ron Charles writes about books for
the Washington Post and hosts
totallyHipVideoBookreview.com.

Disney’s Belle or Cinderella, or the
inevitable way so many fairy-tale
endings arc toward romance?”
she asks. “How to recognize that it
isn’t l ife’s d ivergence from this a rc
that is the problem, but the estab-
lishment of this arc in the first
place — these able-bodied ideals,
these able-bodied expectations?”
In one engaging chapter after
another, Leduc articulates the di-
mensions of this problem. She
considers various fairy tales, from
“The Little mermaid” to “The
Ugly Duckling,” which she dubs
“Hans Christian Andersen at his
most Hans Christian Andersen.”
She also quotes from and analyzes
passages from her earliest medi-
cal files, discovering in the ways
doctors described her condition
deeply inscribed attitudes about
the limited possibilities of a dis-
abled life.
“It is inconceivable to so many
that someone could be disabled
and also happy,” she writes, not-
ing that our most archetypal sto-
ries provide only two options:
glamorous perfection or pitiable
tragedy. Trapped in that frame-
work, children judged physically

after some hardship, become
beautiful, while wicked people
are mad, scarred or disabled. S uch
are the universal narratives from
which most of us construct our
first aesthetics, our fantasies,
even our values. “fairy tales are
among those most quintessential
of stories,” she writes. “They are
both a way of explaining the world
around us and a method of imag-
ining a world that is possible.”
As a pretty little girl, fairy tales
offered Leduc a comfortable
throne in which to nurse her fan-
tasies, but when she was 3, a CT
scan revealed an abnormality in
her brain. A subsequent operation
successfully removed a cyst but
left her with cerebral palsy, which
affected her hips and made her
limp. No glass slippers for her.
Gradually, she realized that she
had been exiled from the kingdom
of happily ever after. There were
plenty of disabled characters in
fairy tales — objects of villainy,
comedy or pity — but no one she
wanted to identify with looked
like her or moved like her.
“How to argue with the very
obvious able-bodied beauty of

fe cts. Her daring approach is a
hybrid of memoir, literary criti-
cism and cultural commentary.
She moves fluidly between grade-
school memories and scholarly
analysis. She quotes from medi-
eval texts and TV shows. She’s
equally familiar with the Brothers
Grimm and the X-men.
As a child, Leduc’s imagination
was led into the magical land of
beautiful princesses and princes.
Like kids everywhere, she learned
that good people are beautiful or,

tion called arthrogryposis. Ann
Coulter graciously explained that
Trump wasn’t making fun of
Kovaleski’s condition; he was just
“doing a standard retard.”
To the extent such a grotesque
“standard” has any currency in
our culture, it denigrates real peo-
ple and drives them into further
isolation. The words we use, the
images we consider relevant or
common or even funny construct
the world in which we move, walk
and roll.
A brilliant young critic named
Amanda Leduc explores this per-
nicious power of language in her
new book, “Disfigured.” Her focus
is fairy tales, those make-
believe stories g athered hundreds
of years ago in the forests of
france and Germany, pruned to
satisfy the tastes of Victorian au-
diences and finally polished to a
high sheen by Walt Disney. They
are, of course, j ust stories — i n the
same way the r-word is just a
word.
Leduc follows the bread
crumbs back into her original
experience with fairy tales — and
then explores their residual ef-

Seuss, chocolate cake and foreign
accents. She is not the star in an
inspirational family drama.
She is not a retard. She is our
daughter.
In 2009, a group called Spread
the Word to End the Word began
encouraging people to stop using
that demeaning slur. The group
eventually brought its campaign
to thousands of schools across the
country. Last year, Spread the
Word to End the Word shortened
its name to Spread the Word and
broadened its focus to advocate
for greater acceptance for people
with intellectual and develop-
mental disabilities. Those efforts
come together on march 4, when
people around the world are en-
couraged to “Pledge to Spread
Inclusion.”
Some may think such efforts
are a little precious: the hypersen-
sitivity of politically correct snow-
flakes who can’t take a joke. We
heard that a few years ago, after
Donald Trump mocked Pulitzer
Prize-winning reporter Serge
Kovaleski, who has a joint condi-


BOOK wORld from C1


Sleeping Ugly: A look at fairy tales’ unwoke depictions of disabilities


treVor Cole
Author Amanda leduc.

THEATRE
Added Shows:
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Tueat5PM
Wedat5PM
Thu at 5PM

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Box Office

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Saturday at6&9
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The Kennedy Center
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MUSIC-ORCHESTRAL

Free tickets will be
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beginning at 5pm in
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2700 FStreet NW
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The Apollo Orchestra welcomes world-renowned pianist
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Thursday,March5at
6:00pm

The Apollo
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DANCE

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Kennedy Center
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kennedy-center.org
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Conceived and directed by internationallyrenowned
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Tonight at 7:30

"Fruits borne
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Ta baimo and
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