Marketing Communications

(Ron) #1
CASE 11 369

regular Express shop. To Carrefour’s own surprise, during
the first business hour at Rock Werchter 40 tents were
sold. In total, about 4000 chocolate cakes, over 6000
croissants, more than 5000 breads and sandwiches and
over 2000 doughnuts were sold, but also 3000 bottles of
milk, 400 raincoats, 300 toothbrushes, hundreds of plastic
spoons, forks, knives and plates, 1500 apples and 1000
nectarines, and 3000 packets of crisps.
Of course, image-building was at least as important.
Festival attendees were all very positive. After the festivals,
various blogs were screened; no single negative remark
was found and people remarked: ‘if I would have known
there was going to be a shop, I would not have brought so
much stuff ’. Many people appreciated the fair, ‘normal’
prices, and nobody complained about the long queues.
Also festival organisers were very enthusiastic. They con-
sider it a very cost-effective way of offering added value on
their festivals, and they urged Carrefour to set up shops at
other camping grounds too. Most festival organisers announced
the presence of the shop on their websites and issued press
releases. Rock Werchter announced the presence of the
Express shop explicitly on its 2009 festival website. Com-
petitors of Carrefour have also shown their interest in being
present at the festivals, a move that Carrefour blocked by
negotiating a right of first refusal. Also, other festivals have
asked Carrefour to set up a store at their venues.
At Rock Werchter, the shop was set up along a major
road. Many people other than festival attendees have there-
fore been exposed to this new initiative.
The shops also led to massive amounts of free publi-
city in almost every Belgian newspaper, featuring extensive
coverage with headlines such as: ‘Festival shops: bull’s eye’,
‘Carrefour finds hole in festival market’, ‘Supermarket on
festival camping ground’.
Due to the short planning cycle, Carrefour itself did not
support its initiative by means of other communications efforts.

Adapting and extending the project in 2009
After a thorough evaluation, the market team decided to
extend the initiative and to make some adaptations. In

2009, shops were set up at the same three festivals, and a
fourth festival, Dranouter Folk (6–9 August), was added.
Shop floor surface was slightly enlarged, and a third check-
out was provided. The shops would no longer be open the
day after the festival – attendees pack and leave as soon as
they can. However, opening hours during the festival were
extended, based on the 2008 experience. On the evening
before the start of the festival, the shops were open until
2 a.m., and on festival days between 7 a.m. and 11 p.m.
The assortment only required minor modifications since it
appeared to be well adapted to festival attendees’ needs.
Even more Carrefour private label products were offered
instead of A-brands. Price-level policy was the same.
Although the branding of the shops on the outside was OK,
inside branding was improved. Also some fine-tuning was
called for. For instance, at Pukkelpop, coffee brand Douwe
Egberts organised a ‘breakfast action’ with coffee and
croissants. Therefore, these products were not part of the
assortment at this festival.

QUESTIONS



  1. Do you think that setting up a point-of-sales at music
    festivals was a good idea? Does it focus on the right
    target groups? Is it meaningful in terms of image-
    building for Carrefour?

  2. Did Carrefour take the right decision in terms of
    festival selection, pricing strategy, assortment and
    shop layout? Why or why not? What would you do
    differently?

  3. If a retailer in your own country were to think of doing a
    similar project, which festivals could they select and
    why? Would the retailer have to organise its shops in a
    different way than Carrefour? Why or why not?

  4. At the 2008 festival, Carrefour did not support the ini-
    tiative by means of other marketing communications
    activities. Build a supporting Carrefour communications
    plan for the next festival.

  5. In what way could Carrefour measure the success and
    effectiveness of this project?


Sources : http://www.carrefour.com ; http://www.carrefour.eu ; http://www.graspop.be ; http://www.pukkelpop.be ; http://www.rockwerchter.be.
Information provided by Lars Vervoort, Corporate Communication Manager, and Tine Nelissen, PR & Communication Coordinator.

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