564 CHAPTER 16 ETHICAL ISSUES IN MARKETING COMMUNICATIONS
Sex and nudity appeals are frequently used in advertising as a means to attract attention to
the ad ( Photo 16.2 ). Today, up to 38% of ads using men show the model in a sexual context.^44
Women, however, are even more likely to be portrayed in sexually appealing roles. Most
previous research has concluded that scantily dressed or erotic appeals elicit a negative aff ec-
tive reaction of the public and result in decreased brand recall.^45 Two experimental studies
involving Belgian men and women explored how more revealing displays of a model’s body
in advertising messages can impact on individuals’ body esteem. Samples of Belgian men and
women were exposed to an advertising image containing a male or female model in either
pyjamas or just underwear. Th e results showed that scantily dressed models had a negative
eff ect on individuals’ body esteem compared with dressed models. When the models were
dressed more revealingly, it was the opposite-sex model that had the most negative eff ect
on participants’ body esteem, possibly due to an increased sexual salience. Scantily dressed
models in advertising appear to aff ect the body esteem of both men and women.^46 S o m e
would deem this eff ect to be undesirable and thus unethical.
Covert marketing
Covert marketing is a fi rm’s marketing actions whereby consumers believe that the activities
are not those of the fi rm. It exists in many forms, and is sometimes referred to as stealth
marketing, buzz marketing, masked marketing or word-of-mouth marketing. Stealth marketing
is formally defi ned as the use of marketing practices that fail to disclose or reveal the true rela-
tionship with the company that produces or sponsors the marketing message. Buzz marketing
is giving people a reason to talk about the company’s products or services and making
it easier for that conversation to take place.^47 Also, covert forms of information gathering,
such as placing ‘cookies’ on a person’s computer system to enable identifi cation of this person
when he or she next visits the website, are a form of covert marketing. Another example is a
fl og (fake weblog), when fi rms develop a fake consumer blog about the consumption of some
In 2006, UNICEF in Belgium created a unique, but shocking TV commercial about the impact of war on children.
The ad features the blue Smurf cartoon characters in a war setting. The ad starts out on a nice sunny day with the
traditional Smurf song: ‘Hey, come to Smurf country, welcome to all. Yes, come to Smurf country, the country of
pomp and circumstance’. Immediately after, the Smurf village is annihilated by warplanes. Smurfs are lying dead all
over the street, a baby is crying without its mum or dad being around... The tagline of the spot reads ‘Don’t let
war affect the lives of children.’ The ad was meant for the adult population and was aired only after 9 p.m. The
objective of the campaign was to raise awareness about the many ways in which conflict destroys children’s lives
in general, and to raise money for the rehabilitation of former child soldiers in Burundi in particular. Currently, about
300 000 children are being used as child soldiers worldwide. Moreover, almost one in two of the 3.6 million
humans killed in conflicts since 1990 are children. The campaign showed what many children are experiencing in real
life. The ad featured Smurfs because Smurfs have been part of Belgian culture since 1958. Adult viewers immediately
recognise the blue cartoon figures which make them think back to their youth. The emotional bond they have with
the Smurfs made the ad more shocking. Smurfs were deliberately used here to enhance the impact and awareness
of the campaign. The campaign has been in the news worldwide, receiving both positive and negative comments.
Some think the ad featured unnecessary violence, others praised the creative approach to draw attention to the
problem. One way or another, the campaign worked and received an award for its effectiveness.^43
BUSINESS INSIGHT
UNICEF: Don’t let war affect the lives of children
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