46 LISTENER FEBRUARY 29 2020
BOOKS&CULTURE
by NICHOLAS REID
C
olonialism was no picnic for
Africans, but post-colonialism
hasn’t always been that wonder-
ful, either. Nobody knows this
better than Petina Gappah. A
Zimbabwean author and lawyer of Shona
ethnicity, she has expressed in the Guard-
ian her hope that Zimbabwe’s new leader
will clean up the corruption, violence,
starvation and economic disaster that
marked the Mugabe years. Africans are
capable of hurting Africans as badly as
Europeans did.
So, when Gappah writes a novel set
in the 19th century, she is not crudely
taking down a Great White Explorer. She
is adding nuance to his story. The title Out
of Darkness, Shining Light could refer to the
hopes of Christian missionaries, shining
light upon the darkness of heathens. But
for the author, it is more likely to mean
shining light upon those Africans who
have been ignored by history books.
In 1873, in the heart of Africa, David
Livingstone dies. Unlike other Europeans
of his time, the Scottish explorer, mis-
sionary and crusader against slavery, was
greatly admired by Africans. He still is.
His African companions, who call him
“Bwana Daudi”, decide he should be
buried in his own country. So, over 285
days, and covering about 2400km, a party
of 69 African porters and bearers carry his
remains to the east coast to meet a ship
that will take him back to Britain.
Gappah uses two narrators, both of
them historical figures. One is the cook,
Halima, still a slave and hoping for release.
She can be ironical. Like others, she thinks
Livingstone’s attempts to find the source
of the Nile were foolish. She has practical
common sense. She knows that a corpse,
carried for months through the African
heat, will rot, become bloated and pos-
sibly explode. So she comes up with the
idea of stripping the flesh from the bones
and burying it before the trek begins. It is
only Livingstone’s skeleton that ends up
in Westminster Abbey.
The other narrator is an African convert
to Christianity, known as Jacob Wain-
wright. He is fervent in his new religion
and laments that, in his lifetime, Living-
stone converted only one African to his
faith.
Gappah treats Wainwright’s convic-
tions seriously, and has him express his
thoughts in quasi-biblical prose. But
Wainwright suffers some disillusion in the
long march. He learns about Livingstone’s
flaws, such as dealing with slave traders.
He understands his own sexual impulses
better in his jealousies over a woman who
is part of the journey. And, saddest of all,
he finds that his white fellow Christians
patronise him and will not let him be the
preacher he wishes to be.
It is the interplay and contradictions
of the two voices that gives Out of Dark-
ness, Shining Light its edge. Inadvertently,
Livingstone’s explorations opened the
way for less scrupulous travellers who
colonised and grabbed land for European
empires.
One character loudly denounces this
trend, but Gappah’s balancing of voices
keeps a cool neutrality.
She knows that real
history is always more
nuanced and messier
then simple slogans
allow. l
OUT OF DARKNESS,
SHINING LIGHT, by
Petina Gappah (Faber,
$32.99)
Out of
Africa
Dr Livingstone’s
legacy is explored
through the eyes of
those escorting his
body homewards.
Gappah knows that real
history is always more
nuanced and messier
than simple slogans.
G
ET
TY
IM
AG
ES
Last mile: an ailing David
Livingstone is carried to
his deathbed in Tanzania.