Amateur Photographer - UK (2020-05-16)

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subscribe 0330 333 1113I http://www.amateurphotographer.co.ukI 16 May 2020 21


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IreadyourTreasuredSnapsfeature
(AP1 February)withmuchinterest.
I workat a smallmuseumwherewe
havea collectionof photographs
datingfromthelate1800stothe
presentday.Someareoriginalcopies
thathavebeencollectedbyor
donatedtothemuseum.Copiesof
somearealsoheldbyothermuseums
andgalleries.I havesomequestionson
wherethemuseumstandsoveruseof
thecopieswehold?


  1. Is themuseumabletousethese
    photographsastheywishforsocial
    mediaandmarketingpurposes?
    2.Cancopiesfordisplaypurposesbe
    madeof thephotographs?
    3.Wouldwebeabletosellcopiesof
    thephotograph?

  2. Whoholdsthecopyrighttothe
    photowhenmultiplecopiesexist?Can
    anorganisationclaimcopyrightif they
    onlyholda copyof a photograph
    wherea copyof thatsamephotograph
    is heldbyothers?I havealways
    believedthatthepersonwhoholds the
    negativeownsthecopyright.
    MichaelR Taylor


Thisis a bitofa minefieldsowe
askedMichaelPritchardfromthe
RoyalPhotographicSociety.
‘Thedateofthephotographandthe
dateofdeathofthephotographer
are key to what the museum may

dowithit.Thephotographmaybe:


  • Stillin copyright(wherethe
    photographeris stillaliveor
    recentlydeceased).

  • Consideredorphaned(wherethe
    photographeris unknownbutit is
    likelythatcopyrightmaystillreside
    withhimorher,ortheirestate).

  • Outofcopyright(fortheoldest
    imageswherecopyrightwillhave
    reasonablyexpired,usually 70
    yearsfromthedeathofthe
    photographer).
    ‘Forphotographsoutofcopyright
    themuseummayusetheimagesas
    it wishes.Fororphanedworksthere
    is a formalprocessthemuseumcan
    usetomakeuseofthem,orit may
    choosetotakea pragmatic
    approachwhichcarriesa small
    elementofriskfroma potential
    claimant;andforphotographsthat
    remainin copyrightwhereit knows
    thephotographerit shouldagree
    termsofuseandputthisin writing.
    ‘AstoMrTaylor’sfinaltwopoints:

  • Wherethemuseumis buying
    photographsdirectlyfroma
    photographerortheirestateit’s
    goodpracticetoagreea licencefor
    theirfutureuseandkeepthiswith
    themuseumaccessionrecord.

  • Wheremultiplecopiesofa photo
    exist,thenif it is outofcopyright
    eachownercandoastheywishwith
    it.Ownershipofthenegative(or
    digitalfile)doesnot give ownership
    of copyright.’


Inbox

Copyright queries

LETTER


OFTHE


WEEK


WNS


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LETTER OF THE WEEK


Adobeusesa subscription
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existingcustomerstobuy
anupgrade?A fewmonths
laterandthesame
economicsmagazine
praisedtherecently
launchedAdobe
subscriptionplans,fortheir
abilitytocompel
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payingforproducts.
Theotherclassic
businesstacticis built-in
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meansof a well-designed
upgrade,allof the
previousproductscanbe
renderednon-functional.
Therebyrequiring
customerstoreturnand
payagain,forwhatis
almostalwaysessentially
thesameproduct.
Applecancorrectly
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I knowof a numberof
peoplewhohavemoved
theirpaid-forcopiesof
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fromAppleandonto
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Windows 10 is currently
abletoworkwitholder
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willthislast?
Therearealternativesto
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software,suchasthose
fromON1andDxO.These
arefineandfullyfunctional
alternativesto the
subscriptionmodel,andas
paid-forsoftwarepackages
can,in theory,be
used perpetually. But,

YOUR LETTERS


Shark-infested
software
InresponsetoGraham
Serretta’sheartfeltletter
aboutsoftware(Inbox,
14 March)I believethat
businesses are rather like

sharks.It is saidthatto
avoidsuffocationa Great
Whitemustkeep
swimming.In a similarway,
a businessmustcontinually
devourmoney.I remember
aneconomicsarticlethat
argued that Adobe was a

‘basketcase’,becauseits
productswerenowso
good,theydideverything
thattheircustomerscould
possiblywant.Sohow,the
magazineasked,could
Adobepossiblyattractnew
customers, or even get any

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