Cherry switches almost completely, although
of course, their ready availability makes them a
good place to start for beginners.
As for types, there are three top level
categories of switch: linear, tactile and clicky.
Linears have no tactile event of any kind in the
switch travel, other than when you bottom the
switch out. Tactiles have a tactile bump as you
push pass a point in the switch travel before
bottoming out. It’s usually at the point where
the switch has activated so you can get the
feedback you’ve pressed enough to activate
the key without having to bottom out. Clicky
switches are tactile in nature too, but the tactile
event has an audible click as well.
There are three factors to consider for
springs: the amount of force required to
actuate the switch, the amount of force
required to bottom out, and the progression
of the spring rate as you press it. Each of those
attributes affects how the switch feels, which
is why you can buy switch testers, for trying
anywhere from a handful to around 100
different switch types, to see which you prefer.
Switches cost from 20p to £1.50 each,
depending on desirability. Some switches have
attained meme status, usually after being used
by a popular build streamer making a board for
a high-profile gamer.
The more hardcore end of the community
is also fond of creating Frankenswitches, using
parts from two or more switches to create a
new one. It’s very difficult to get a good read on
whether certain hybrid switches are actually
better than a stock switch, but certain hybrids
break through and get enough exposure that
you can tell there’s something to them. Holy
Pandas are the canonical example, taking
the tactile stem from one switch usingit w
the housing, spring and leaf from another. y
are top-tier tactiles when tuned.
KEYCAPS
Keycaps are the start for most mechanical
keyboard enthusiasts. All it takes to customise
your typical MX-switched keyboard is to
pull off the caps and buy some compatible
alternatives. There’s a vast range of colours,
shapes, legends (lettering/fonts) and build
materials, making it fun to simply mess around
with this one aspect of custom keyboards.
Aside from style considerations, the type
of plastic and manufacturing process are
important factors, as the different types of
plastic all wear differently over time and the
manufacturing can determine how long the
legends on the keycaps stay looking good.
Most notable is the trend for double-shot PBT
caps, which use the tougher, more chemically
resistant PBT plastic (compared with ABS) and
are moulded twice (double-shot) such that the
legend on the cap isn’t painted on but formed
from a second coloured plastic that runs the full
depth of the cap, so it won’t wear off. Plastics
remain the best choice for keycaps due to the
light weight and ease of moulding, but some
designers have tried low volume manufacture
in other materials, including metal.
The final aspect to consider when it comes
to keycaps is their profile or shape. The most
common are Cherry profile caps, which can
be found on the vast majority of pre-built
boards, and most keycap groupbuysarein
this profile too. However, Cherryprofilecaps
are relatively short in height (compared with
other mechanical keycap profiles) and the
bare minimum of plastic is used to make them,
so they’re light and thin, which affects how
they sound.
Instead, a lot of keyboard makers prefer
larger keycap profiles. Keycaps in the MT3 and
KAT profiles are my favourite, since they’re
higher in profile than Cherry caps and are quite
a bit thicker than Cherry-profile sets, so they
have a different sound. If you want to see what
sort of designs and profiles are out there, take a
look at keycaplendar.firebaseapp.com
STABILISERS
Most keycaps are attached to the switch
underneath by a retaining stem in the centre of
the cap, which is fine for normal single-width
( 1U) keys. However, for wider keys, such as
a normal-width Backspace (2U), ISO Enter,
and especially spacebars (commonly 6U+),
a stabilising system is required. Without a
stabiliser, the switch will be very wobbly and,
if you press anywhere off-centre, there’s a
chance the switch won’t activate.
Stabilisers hold up the extremities of the cap
on retaining stems that are joined with a wire,
so the whole assembly moves up and down
with the switch when you press the cap. This
helps the longer caps feel stable and lets you
press them off-centre without any issues.
Stabilisers take two basic forms: plate
mount and PCB mount. Plate mount stabilisers
are more common on pre-built boards than
customs, but you’ll still find them on some
customs too. They aren’t as stable as PCB-
mounted ones due to the fairly flimsy clips that
are often used to mount them. PCB mount
stabilisers tend to be screwed to the PCB from
the underside, making for a more secure fit.
Since stabilisers are just a few pieces of
plastic and a metal wire, they’re fairly cheap, at
around £4 for 2U and £5 for the longer ones for
spacebars. That said, some vendors sell sets of
stabilisers that the community considers to be
higher quality, which cost more.
There’s a vast array of switch manufacturers and
styles, but they’re usually Cherry MX-compatible
Different keycap profiles
such as these MT3 caps
make for a different feel
and sound
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