the times | Friday August 7 2020 1GT 11
television & radio
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5. 00 am Calum Macdonald with Early
Breakfast. Join the early morning news club
6 .00 Jenny Kleeman and Luke Jones with
Times Radio Breakfast. A fresh take on the
morning’s stories 10. 00 Gloria De Piero.
Politics seen through the eyes of everyday
voters 1 .00pm Giles Coren. Giles brings his
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Radio 4. 00 Cathy Newman at Drive. An
in-depth look at the main stories of the day
7. 00 Michael Portillo. Cultured discussion
and interviews 10. 00 Kait Borsay.
Thoughtful debates on current issues
1. 00 am Stories of Our Times. The Times’s
daily podcast 1 .3 0 The Week in Review
2. 00 Highlights from Times Radio
Radio 2
FM: 88- 9 0.2 MHz
5 .00am Anita Rani 6 .30 The Nicki Chapman
Breakfast Show 9 .30 Ken Bruce. Cyndi
Lauper chooses the Tracks of My Years 1 2. 00
Paddy O’Connell 2 .00pm Steve Wright 4 .1 5
Steve Wright: Serious Jockin’ 5. 00 Sara Cox
7. 00 Tony Blackburn’s Golden Hour.
A selection of popular tracks from the past
50 years 8. 00 Sounds of the 80s with Gary
Davies. The singer-songwriter Suzanne Vega
guests 10. 00 Sounds of the 90s with Fearne
Cotton. A nostalgia-drenched celebration of
the best music and pop culture from the
decade 1 2. 00 Bruce Springsteen: From My
Home to Yours 1. 00 am The Craig Charles
House Party (r) 2 .3 0 The Craig Charles
House Party Mixtape (r) 3. 00 The First Time
with Jimmy Cliff 4. 00 Huey Morgan
Radio 3
FM: 9 0.2- 9 2.4 MHz
6 .30am Breakfast
Georgia Mann presents
9 .00 Essential Classics
With Ian Skelly
1 2.00 Composer of the Week:
William Grant Still (1895-1978)
Donald Macleod explores Still’s struggle to
establish himself as a composer of opera,
referencing Troubled Islandd, which took years
to bring to the stage after its completion.
Still (Whippoorwill’s Shoess — Wood Notess;
Little Black Slave Child — Troubled Islandd;
Ennangaa — 1. Moderately fast; Symphony
No 3, “The Sunday Symphony”” — 2. Prayer
— very slowly; 3. Relaxationn— Gaily; Lyric
Quartette; Highway One: Act I — extract;
and Grieff—aka Weeping Angelll) (r)
1 .00pm Radio 3 Lunchtime Concert
Recitals from Northern Ireland Opera’s
Festival of Voice 2019, recorded at St
Patrick’s Church of Ireland in Glenarm, Co
Antrim. Joseph Middleton accompanies the
Australian soprano, Siobhan Stagg, the
Canadian-Macedonian mezzo Ema Nikolovska
(a Radio 3 New Generation Artist), and the
New Zealand baritone Julien Van Mellaerts
in a programme celebrating composers active
in Paris in the 1920s — a musical melting
pot, with illustrious composers, and some
up-and-coming ones, living side by side.
Presented by John Toal. Ravel (Five Mélodies
populaires grecquess); Hahn (Veneziaa); and
Messiaen (Poèmes pour Miii) (r)
- 00 Afternoon Concert
Penny Gore with more great Prom concerts
from recent years by BBC Orchestras and
choirs. Today, Nigel Kennedy performs with
the BBC Concert Orchestra. Bax (The Garden
of Fanddd); Finzi (Intimations of Immortality
— Proms premiere); and Elgar (Violin
Concerto in B minor, Op 61)
4.30 The Listening Service
Tom Service examines Dvorák’s Symphony
No 9, From the New Worldd, one of the BBC’s
current Ten Pieces III, as well as little-known
symphonies by black American composers (r) - 00 In Tune
Sean Rafferty is joined by the cellist Daniel
Müller-Schott. Including 5. 00 , 6 .00 News
7.00 In Tune Mixtape
An eclectic non-stop mix of music,
featuring old favourites together with
lesser-known gems, and a few surprises
thrown in for good measure
7 .3 0 BBC Proms 2 020
Georgia Mann presents a concert from 2014,
when the conductor Simon Rattle led the
Berlin Philharmonic in an all-Russian
programme inspired by dance.
Rachmaninov (Symphonic Dancess); and
Stravinsky (The Firebirddd) (r)
1 0.00 The Nature of Creativity
Mary Colwell explores the relationship
between nature and creativity, and asks that
the loss of the natural world may harm
people’s ability to express themselves (r)
1 0.45 The Essay: To the Barricades!
Michael Goldfarb remembers the books and
films that anticipated and shaped the
response to the student explosions in Paris,
Prague, London and New York in 1968 (r)
1 1. 00 Late Junction
The Berlin-based composer, academic and
artist Holly Herndon, who often uses the
voice to explore the boundaries between
the human and the technological (r)
1 .00am Through the Night
Radio 4
FM: 9 2.4- 9 4.6 MHz LW: 1 98 kHz MW: 720 kHz
5.30am News Briefing
5.43 Prayer for the Day
5.45 Farming Today
5.58 Tweet of the Day (r)
6.00 Today
With Nick Robinson and Martha Kearney
9.00 Desert Island Discs
The explorer Steve Backshall selects
eight favourite recordings (r)
9.45 (LW) Daily Service
9.45 Book of the Week: The Oak Papers
By James Canton (5/5)
10.00 Woman’s Hour
Presented by Jane Garvey. Including at
10 .45 Drama: Part five of Bloody
Eisteddfodd, by Myfanwy Alexander
10.4 5 -7.0 0 (LW) Live Test Match Special
11.00 The Crisis of
American Democracy
The problem of US politicians wanting to
embed themselves in power (2/3)
11.30 Relativity
By Richard Herring. Ian and Chloe’s relaxing
weekend proves to be anything but (4/6)
12.01 (LW) Shipping Forecast
- 04 pm Actress
By Anne Enright. Last in the series
12.18 You and Yours - 00 The World at One
1.45 How They Made Us
Doubt Everything
A White House campaign to spread doubt
about climate change (10/10) - 00 The Archers (r)
2.15 Drama: Wild Swimming
Aimee-Ffion Edwards and Joseph Tweedale
play Nell and Oscar in Marek Horn’s
battle of the sexes and wilfully ignorant
history of English literature
3.00 Gardeners’ Question Time
Pippa Greenwood, Chris Beardshaw and
Matt Biggs answer listeners’ queries
3.45 The Poet and the Echo
Carpe Diem. Cathy Forde takes inspiration
from Horace’s famous ode in this story about
being a carer. Read by Anita Vettesse - 00 Last Word
The lives of famous and less well-known
people who have recently died
4 .30 Feedback
Listeners’ views. Presented by Roger Bolton - 00 PM
5 .54 (LW) Shipping Forecast
6 .00 Six O’Clock News
6 .30 Summer Comedy Festival
Comedians curate their dream festivals (3/6)
7 .00 Front Row
7 .45 Bloody Eisteddfod
By Myfanwy Alexander (5/5) (r)
8. 00 Any Questions?
8 .50 A Point of View
Reflections on a topical issue
9 .00 How They Made Us
Doubt Everything
Omnibus. Tactics used by companies to
change the narrative on big stories
1 0.00 The World Tonight
1 0.4 5 Book at Bedtime: Actress
By Anne Enright (10/10) (r)
1 1. 00 Great Lives
Professor Margaret MacMillan reassesses
the life of Mussolini (1/9) (r)
1 1.30 The Learning Revolution
Lifelong learning in the future (3/3) (r)
1 2. 00 News and Weather
1 2.3 0 am Book of the Week:
The Oak Papers(5/5) (r)
1 2.48 Shipping Forecast
1. 00 As BBC World Service
Radio 4 Extra
Digital only
8. 00 am The Men from the Ministry 8 .3 0
King Street Junior 9. 00 The Personality Test
9 .30 Romantic Friction (r) 10. 00 Sherlock
Holmes: The Hound of the Baskervilles
1 1. 00 Podcast Radio Hour 1 2. 00 The Men
from the Ministry 1 2.3 0 pm King Street
Junior 1. 00 Paul Temple and the Conrad Case
1 .3 0 Fatherland 2. 00 The Personality Test
2 .3 0 Romantic Friction (r) 3. 00 Sherlock
Holmes: The Hound of the Baskervilles 4. 00
Podcast Radio Hour 5 .00 Michael Frayn’s
Matchbox Theatre 5 .3 0 Cabin Pressure 6.
Earthsea 6 .30 Off the Page 7. 00 The Men
from the Ministry. Comedy with Richard
Murdoch 7 .3 0 King Street Junior. Comedy
with Peter Davison 8. 00 Paul Temple and the
Conrad Case. Crime thriller by Francis
Durbridge 8 .3 0 Fatherland. Thriller by Robert
Harris 9. 00 Podcast Radio Hour. Amanda
Litherland and her guest recommend the best
podcasts 10. 00 Comedy Club: Cabin Pressure.
Arthur brushes up on his stewarding skills
10 .3 0 Radio Five. The inaugural edition of
Eric Idle’s comedy panel game Absolute
Rubbish.See Radio Choice
1 1.30 Elis James’ Pantheon of Heroes. The
comedian pays tribute to Welsh inventors
Radio 5 Live
MW: 6 93, 909
5. 00 am Wake Up to Money 6 .00 5 Live
Breakfast 9. 00 Your Call 10. 00 Chiles on
Friday 1.00pm Elis James and John Robins
2 .3 0 Kermode and Mayo’s Film Review
- 00 5 Live Drive 7. 00 5 Live Sport 8. 00 5
Live Sport: Champions League Football
2019-20 — Manchester City v Real Madrid
(Kick-off 8. 00 ). Commentary on the
round-of-16 second-leg tie 10. 00 Stephen
Nolan 1. 00 am Jim Davis
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- 00 am Early Breakfast 6 .00 talkSPORT
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Extra Time with Martin Kelner
talkRADIO
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5. 00 am James Max 6 .30 Julia Hartley-
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7. 00 James Whale 10. 00 Cristo Foufas
1. 00 am Martin Kelner
6 Music
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- 00 am 6 Music’s Jukebox 6 .00 Tom
Ravenscroft8.3 0 Mary Anne Hobbs 12. 00
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Steve Lamacq 7. 00 Iggy Pop (r) 9. 00 Tom
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6 .30am The Chris Evans Breakfast Show
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6 .00am More Music Breakfast 9. 00
Alexander Armstrong 1 2. 00 Anne-Marie
Minhall 4. 00 pm John Brunning 7. 00
Smooth Classics 8.00 The Classic FM Concert
with John Suchet. Tchaikovsky (Violin
Concerto in D Op 35); Mozart (Clarinet
Quintet in A K.581); Balfe (“I dreamt I dwelt
in marble halls”””); Granados (Danza Espanola
Op 37 No 5); and Wagner (Siegfried Idyllll)
10. 00 Smooth Classics 1. 00 am Katie
Breathwick4.00 Jane Jones
Radio Choice
Debra Craine
Comedy Club:
Radio Five
Radio 4 Extra, 10.30pm
By 1973, when this
programme was first
broadcast, Eric Idle, above,
was one of the most famous
men in Britain. As one of
the members of the Monty
Python team, he had been
delighting audiences for
four years on BBC TV. Here,
in one of his most notable
early solo starring roles,
the genial Idle takes to
the radio in his own BBC
Radio 1 show, called Radio
Five (18 years before the
real Radio 5 was born).
Over two seasons he played
nearly all the roles. In this
episode from May 1973
the comedy ranges from
Pieces of Wood and How to
Make Them to a new panel
game, Absolute Rubbish.
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Imagine: My Name is Kwame
BBC One
{{{{(
The Deceived
Channel 5
{{{((
I
magine: My Name is Kwame
kicked off with Alan Yentob
demanding to know why Kwame
Kwei-Armah, born Ian Roberts,
had changed his name.
“Are you just playing the part?” he
queried, peering through his black-
rimmed specs. Kwei-Armah, with
quiet eloquence, explained.
He had watched a scene in the
1977 TV series Roots (which I also
remember seeing and, with a child’s
naivety, thought so horrific that I
couldn’t believe such things were
true). It was when Kunta Kinte refused
to accept the name “Toby” that his
slave-master had given him and was
publically whipped until he did.
They showed the clip: horrendous.
The 12-year-old Ian turned to his
mother and vowed to trace their
ancestry in Ghana and give them
back their African name, “Roberts”
being a slave name. He has now been
Kwame longer than he was Ian and is
a creative powerhouse, actor, writer
and director, and the artistic director
of the Young Vic.
In his earlier life he had only
wanted to be the next Lionel Richie.
We heard some of his recorded songs:
not a bad voice. At the age of 24 he
realised, as so many hopefuls do, that
it wasn’t going to happen. If this
documentary showed us anything,
though, it is that he exudes positivity
and is a “can-do” person.
He turned his hand to acting and
soon became paramedic Finlay, a
long-running character in Casualty.
When working in the US, he took his
actors out on the streets during the
riots in Baltimore to sing Bob Marley
songs. “He brings joy with him
wherever he goes,” a colleague said.
We didn’t hear anything about his
personal life save for a vague mention
of his eldest child, but we did learn
that he is a man who wants theatre
and the arts not to be the preserve of
the elite. His job, he said, was “to
meet people where they are, and
then gently nudge them to places”.
To judge from his run of sold-out
shows, including Tree and Fairview,
nudging is working.
How on earth did annoying
Ophelia get to Cambridge University
in The Deceived when she was too
thick to see what was in front of her
eyes? Never mind evil plagiarist
Michael with his “I’m a baddie” beard.
Didn’t she think it suspicious that
Mary had got over the death of her
daughter in five minutes flat, then
welcomed her cuckolder with open
arms? And that only she could hear
that knocking? I know she was being
gaslighted and fed Temazepam,
but really?
I guessed (spoilers alert) that
you-know-who was still alive back in
episode two, but I hadn’t anticipated
the extra twist of the dead student
who — surprise, surprise — had her
brilliant novel stolen by mediocre
Michael and his “fragile little ego”.
The finale got very silly, but what can
I say? I enjoyed it.
It felt fresh and darkly cheering,
even though there wasn’t a funny
moment in it and they wasted Paul
Mescal. I liked that not a single person
was likeable, yet as a drama it was
moreish. There was an obvious lunge
for a second series in the final scene,
which I sense would be a mistake. But
Kwame Kwei-Armah, the artistic director of the Young Vic possibly an entertaining one.
How ‘can-do’ Kwame is nudging us into the theatre
LEON PUPLETT
Carol
Midgley
TV review