Guaman   Poma    was     also    deeply  concerned   about   the     newly   emergent
mestizo (Native/European)   identity,   which   he  saw as  detrimental to  Andean
civil   society.    Particularly    troubling   to  him was the fact    that    mestizos,   whether
living   in  rural   communities     or  in  the     emerging    cities,     were    not     subject     to
tribute obligations.    He  generally   saw this    new class   of  individuals as  highly
disruptive   of  Andean  life    ways,   often   portraying  them    as  much    given   to
drunkenness,    prostitution,   and other   forms   of  behavior    that    had baleful effects
on  indigenous  communities.    All of  these   matters are covered not only    in  the
author’s    text,   but in  the drawings    as  well.   On  this    and a   host    of  other   issues
addressed   in  his chronicle,  Guaman  Poma’s  work    is  rich    in  nuance, deeply
informative,    and highly  effective   in  its interplay   between image   and text.
Further Reading
Adorno, Rolena. Guaman  Poma:   Writing and Resistance  in  Colonial    Peru.   Austin: University  of  Texas
Press,  2000    [1986].
———.    Guaman   Poma    and     His     Illustrated     Chronicle   from    Colonial    Peru:   From    a   Century     of
Scholarship  to  a   New     Era     of  Reading.    Copenhagen:     Museum  Tusculanum  Press,  University  of
Copenhagen, 2001.
———.     “Guaman     Poma    de  Ayala,  Felipe  (ca.    1535–1550–ca.   1616).”     In Guide    to  Documentary
Sources  for     Andean  Studies,    1530–1900,  edited  by  Joanne  Pillsbury,  vol.    2:  255–72.     Norman:
University  of  Oklahoma    Press,  2008.
Guaman  Poma    de  Ayala,  Felipe. The First   New Chronicle   and Good    Government: On  the History of  the
World   and the Incas   up  to  1615.   Translated  by  Roland  Hamilton.   Austin: University  of  Texas   Press,
2009    [1615].
The  Guaman  Poma    Website,    Royal   Library,    Copenhagen,     Denmark.
http://www.kb.dk/permalink/2006/poma/info/en/frontpage.htm.
■GARY   URTON