white   plumes, and a   turned-up   rim,    that    this    combination will    look    well    together.
Suppose you have    never   been    able    to  see how you would   look    in  this    particular
hat with    your    hair    done    in  this    or  that    way.    If  you are in  this    helpless    state   shall
you not have    to  depend  finally on  the taste   of  the milliner,   or  accept  the "model,"
and so  fail    to  reveal  any taste   or  individuality   on  your    own part?
How many    times   have    you been    disappointed    in  some    article of  dress,  because
when    you planned it  you were    unable  to  see it  all at  once    so  as  to  get the full
effect; or  else    you could   not see yourself    in  it, and so  be  able    to  judge   whether it
suited  you!    How many    homes   have    in  them    draperies   and rugs    and wall    paper
and  furniture   which   are     in  constant    quarrel     because     someone     could   not     see
before  they    were    assembled   that    they    were    never   intended    to  keep    company!
How many    people  who plan    their   own houses, would   build   them    just    the same
again   after   seeing  them    completed?  The man who can see a   building    complete
before  a   brick   has been    laid    or  a   timber  put in  place,  who can see it  not only    in
its details one by  one as  he  runs    them    over    in  his mind,   but can see the building
in  its entirety,   is  the only    one who is  safe    to  plan    the structure.  And this    is  the
man who is  drawing a   large   salary  as  an  architect,  for imaginations    of  this    kind
are in  demand. Only    the one who can see in  his "mind's eye,"   before  it  is  begun,
the thing   he  would   create, is  capable to  plan    its construction.   And who will    say
that    ability to  work    with    images  of  these   kinds   is  not of  just    as  high    a   type    as  that
which   results in  the construction    of  plots   upon    which   stories are built!
The Building    of  Ideals  and Plans.—Nor  is  the part    of  imagination less    marked
in  the formation   of  our life's  ideals  and plans.  Everyone    who is  not living  blindly
and aimlessly   must    have    some    ideal,  some    pattern,    by  which   to  square  his life
and guide   his actions.    At  some    time    in  our life    I   am  sure    that    each    of  us  has
selected    the person  who filled  most    nearly  our notion  of  what    we  should  like    to
become, and measured    ourselves   by  this    pattern.    But there   comes   a   time    when
we  must    idealize    even    the most    perfect individual; when    we  invest  the character
with     attributes  which   we  have    selected    from    some    other   person,     and     thus
worship at  a   shrine  which   is  partly  real    and partly  ideal.
As  time    goes    on, we  drop    out more    and more    of  the strictly    individual  element,
adding   correspondingly     more    of  the     ideal,  until   our     pattern     is  largely     a
construction    of  our own imagination,    having  in  it  the best    we  have    been    able    to
glean   from    the many    characters  we  have    known.  How large   a   part    these   ever-
changing    ideals  play    in  our lives   we  shall   never   know,   but certainly   the part    is
not an  insignificant   one.    And happy   the youth   who is  able    to  look    into    the future
and see himself approximating   some    worthy  ideal.  He  has caught  a   vision  which
