In the Malayan Jungle
The thermometer stood   at  155 degrees in  the sun.    The dry lallang grass   crackled
and glowed  and returned    long    irregular   waves   of  heat    to  the quivering   metallic
dome    above.
The sensitive   mimosa, at  our feet,   had long    since   surrendered to  the fierce
wooing  of  the sun-god,    submissively    folding its leaves  and then    its branches    and
putting aside   its morning dress   of  green   for one more    in  keeping with    the color
of  the earth   and sky.    Even    the clamorous   cicada  had hushed  its insistent   whir.
We  were    dressed in  brown   kaki    suits.  Wide-spreading  cork    helmets were    filled
with    the stiff   varnished   leaves  of  the mango,  and wet handkerchiefs   were    draped
from    underneath  their   rims;   yet,    after   an  hour    of  exposure,   our flesh   ached—it
was tender  to  the touch.  The barrel  of  my  Express scorched    my  hand,   and I
wrapped my  camerabuna  about   it. But then    it  was no  hotter  than    any other   day.
In  fact,   we  never   gave    a   thought to  the weather.
We  were    formed  in  a   line,   perhaps two miles   in  length, in  a   deserted    pepper
plantation, fronting    a   jungle  of  timboso trees   and rubber-vines.   I   squatted
patiently   under   the checkered   shade   of  a   neglected   coffee  tree    and kept    my  eyes
fixed   on  the seemingly   impenetrable    walls   of  the jungle. A   hundred feet    to  the
right   and the left,   under   like    protection, were    two of  my  companions, determined
like    myself  to  be  successful  in  three   points,—to  have    the first   shot    at  the pigs,   to
avoid   getting shot,   or  shooting    a   neighbor.   But our minds   rose    above   mental
cautions    with    the first   faint   halloos of  the Hindu   shikaris    on  the opposite    side    of
the jungle. In  another moment  the babel   gave    place   to  a   confusion   of  shrieks,
howls,  yells,  laughs, barking of  dogs,   beating of  tins,   blowing of  horns,
explosions  of  crackers,   and a   din that    represents  all that    is  wild    and untamable   in
three   nations.    It  is  a   weird,  almost  appalling   prologue.   Those   laughs!—they    are a
study—they  fairly  chill   the blood—they  would   make    the fortune of  a   comic
