The New York Times Book Review - USA (2020-11-15)

(Antfer) #1

8 SUNDAY, NOVEMBER 15, 2020


FINALLY FINISHEDHilary Man-
tel’s Cromwell opus and think
you might be suffering from
Tudor fatigue? Think again.
Oliver Clements’s rollicking new
historical thriller proves that
when it comes to 16th-century
England, what may look like too
much can never be enough. THE
EYES OF THE QUEEN (Atria/Leopoldo
& Company, 304 pp., $27)revisits
familiar territory — the network
of “intelligencers” with which
Francis Walsingham protected
Elizabeth I from plotters near
and far — and imbues it with
taut, made-for-the-movie-theater
tension and delicious, snickering-
from-the-back-row wit.
Parental guidance will defi-
nitely be necessary, since the
action opens in August 1572 with
the St. Bartholomew’s Day mas-
sacre, when the streets of Paris
turn red with the blood of mur-
dered Protestants and Walsing-
ham himself barely escapes the
mob. Briefly in his possession is
a valuable document, a key ele-
ment in his scheme to deter
Elizabeth’s enemies in Roman
Catholic Spain and France, but
one whose theft will figure in an
increasingly tangled web of
deceit. Reluctantly ensnared in
that web of spies, turncoats and
double agents is the eccentric
astrologer and alchemist John
Dee, Elizabeth’s beloved former
tutor, temporarily banished from
court after running afoul of some
of her advisers.
“I always think of you as my
eyes,” the queen tells him, “able
to see clearly in the night where
others only saw darkness.” Bril-
liant but not exactly an action
hero, this delightfully cranky,
perpetually impecunious scholar
will need to rescue a beautiful
widow from an iron cage at
Mont-St.-Michel and foil a well-
armed assassin on a Thames-side
mission sanctioned by the pope
— all in partnership with Wals-
ingham, whom Dee trusts, as he
pungently puts it, “only so far as
a man might spit a rat.”
In his down time from wran-
gling Dee, Walsingham monitors

the clandestine activities of
Mary, Queen of Scots, who is
proving a formidable adversary.
When she isn’t conspiring to kill
Elizabeth, Mary is deriving equal
pleasure from a rigorous regimen
of erotic stimulation, one aspect
of which causes even poker-faced
Walsingham to blush. At the
novel’s end, Elizabeth remains on
the throne, as we knew she
would. But Mary is still very
much alive, and so are some
dangerous homegrown traitors.
What awaits in the series’ second
volume?

MARTHA GELLHORN ANDErnest
Hemingway are slugging out the
last days of their marriage in
Max Byrd’s PONT NEUF (Permuted
Press/Simon & Schuster, 240 pp.,
paper, $16.99),but their personal
combat is a sideshow to the
encounter that will alter the lives
of three young Americans in the
brutal final winter of World War
II, the fighting in the Ardennes
that came to be known as the
Battle of the Bulge.
Annie March is a fledgling war
correspondent paddling in
Martha’s professional wake, a
convenient acolyte and compan-
ion both in newly liberated Paris

and as close to the front lines as a
reluctant military will allow.
Martha is also responsible for
introducing Annie to B. T. Adams
and John Michael Shaw, best
friends and former college room-
mates who see the war from very
different perspectives — one is a
“desk soldier” analyzing Army
intelligence and interrogating
prisoners, the other a much-
decorated hero commanding
paratroopers on the front lines.
What they both see are Annie’s
considerable charms.
Martha may be an adroit de-
ployer of feminine wiles, but
Annie is an amateur when it
comes to romantic triangles.
Moving deftly between her and
her two suitors, Byrd sets their
to-ing and fro-ing against the
larger maneuvers that will deter-
mine both the outcome of the war
and the resolution of her quanda-
ry. One split-second battlefield
decision can yield salvation or
ruin — or both. And, as Annie
comes to know all too well, emo-
tional wounds may be the most
difficult to heal. 0

Mad Dash to the Past


ALIDA BECKERis a former editor at
the Book Review.

HISTORICAL FICTION/BY ALIDA BECKER


SIMONE MARTIN-NEWBERRY

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