Gardners Art through the Ages A Global History

Notes 1029

22. Quoted in Walker Art Center: Painting and Sculpture from the Collection (Minneapo-
    lis: Walker Art Center, 1990), 435.


23. Quoted in Susanna Torruella Leval, “Recapturing History: The (Un)official Story in
    Contemporary Latin American Art,”Art Journal 51, no. 4 (Winter 1992): 74.


24. Ibid.


25. Hannah Wilke, “Visual Prejudice,” in Hannah Wilke: A Retrospective (Columbia: Uni-
    versity of Missouri Press, 1989), 141.


26. Quoted in Donald Hall,Corporal Politics (Cambridge: MIT List Visual Arts Center,
    1993), 46.


27. Kobena Mercer, “Black Hair/Style Politics,” in Russell Ferguson, Martha Gever, Trinh
    T. Minh-ha, and Cornel West, eds.,Out There: Marginalization and Contemporary
    Culture (New York: New Museum of Contemporary Art, 1990), 248–249.


28. Ibid.


29. Jaune Quick-to-See Smith and Harmony Hammond,Women of Sweetgrass: Cedar
    and Sage (New York: American Indian Center, 1984), 97.


30. Quoted in Richard Marshall and Robert Mapplethorpe,50 New York Artists (San
    Francisco: Chronicle, 1986), 448–449.


31. Quoted in Mary Jane Jacob,Magdalena Abakanowicz (New York: Abbeville, 1982), 94.


32. Peter Blake,Frank Lloyd Wright (Harmondsworth: Penguin, 1960), 115.
    33. Quoted in “Vietnam Memorial: America Remembers,”National Geographic 167, no. 5
    (May 1985): 557.
    34. Quoted in Nancy Holt, ed.,The Writings of Robert Smithson (New York: New York Uni-
    versity Press, 1975), 111.
    35. Quoted in Calvin Tomkins,“The Art World:Tilted Arc,”New Yorker,May 20, 1985, 100.
    36. Quoted in H. H. Arnason and Peter Kalb,History of Modern Art,5th ed. (Upper Sad-
    dle River, N.J.: Prentice Hall, 2004), 489.
    37. Quoted in Barbara Haskell,Blam! The Explosion of Pop, Minimalism, and Perfor-
    mance 1958–1964 (New York: Whitney Museum of American Art, 1984), 53.
    38. Jiro Yoshihara, “Gutai Art Manifesto” (1956), translated by Reiko Tomii, in Alexandra
    Munroe,Japanese Art after 1945: Scream against the Sky (New York: Abrams, 1994), 370.
    39. Quoted in Bruce McPherson, ed.,More Than Meat Joy: Complete Performance Works
    and Selected Writings (New Paltz, N.Y.: Documentext, 1979), 52.
    40. Quoted in Caroline Tisdall,Joseph Beuys (New York: Thames & Hudson, 1979), 6.
    41. Quoted in “Joseph Kosuth: Art as Idea as Idea,” in Jeanne Siegel, ed.,Artwords: Dis-
    course on the 60s and 70s (Ann Arbor, Mich.: UMI Research Press, 1985), 221, 225.
    42. Quoted in Brenda Richardson,Bruce Nauman: Neons (Baltimore: Baltimore Museum
    of Art, 1982), 20.