Plate 7.2: Pietro Lorenzetti, Birth of the Virgin (1342). This painted altarpiece creates an architectural space
of real depth in which figures of convincing solidity act and interact; compare them with Saint Joseph in
Plate 6.6, p. 227. Note how the ribs, rose windows, and arches of a Gothic church are used here as both
decorative and unifying elements.
marvins-underground-k-12
(Marvins-Underground-K-12)
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