Dance Anatomy & Kinesiology

(Marvins-Underground-K-12) #1

206 Dance Anatomy and Kinesiology


thigh as the knee is extended (figure 4.38C) can be
useful. To help build necessary strength to eventually
be able to achieve this height without use of the hand,
similar procedures to those described for standing
front développés can be used. For example, the hand
can be used to help lift the leg with the knee bent as
shown in figure 4.38C, and then the hand is slowly
released as the position is maintained for 4 counts.
As strength improves, this exercise can be progressed
to extending the knee after the hand is released. The
focus should be on using the DOR to maintain the
turnout at the hip and the iliopsoas to maintain the
height of the knee, and only extending the knee as
far as possible without letting the knee drop in height

or without undue sense of muscle strain at the hip.
Rotator disks can also be added to focus on use of the
DOR to maintain turnout on the support leg while
developing height of the gesture leg.
In addition to the specific desired active contrac-
tion of prime movers, passive constraints offered by
antagonist muscles also influence how high the leg can
be brought to the side. Because the stretch across the
hip is not as direct for the hamstrings when the leg is
to the side versus front, the hamstrings will generally
not limit range as soon but still are critical in determin-
ing how high the leg can be raised. The hip adductors
also are critical in determining how far to the side and
high the leg can be brought. So, if adequate range is

FIGURE 4.37 Side développé. (A) With hip excessively lifted, (B) more desired hip placement with trochanter close to
sitz bones on dancer and (C) on skeleton.

A


C


B

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