262 Dance Anatomy and Kinesiology
closer together. The hamstrings and other flexors
of the knee (table 5.2) are used concentrically when
flexion is occurring against gravity or resistance as
in prone knee curls (table 5.3E, p. 276) or standing
knee curls (table 5.3F, p. 277). The knee flexors are
also used concentrically to flex the knee as the lower
limb swings backward during walking and running
gait. In dance, the knee flexors can also be used to
shorten the length of the limb to facilitate turning,
as in fouetté turns, and to effect a desired shape such
as in a passé, attitude, or the back leg of the stylized
stag leap seen in figure 5.19.
However, during standing with the weight of the
body supported by the foot, the situation is differ-
ent. Once the knee is “unlocked” and begins to
flex, gravity becomes the primary force and tends
to create further flexion of the knee. Under these
circumstances the knee flexors are not working to
create knee flexion; rather the knee extensors are
working to either maintain that angle of knee flex-
ion (isometrically) as seen in figure 5.20 or control
further flexion (eccentrically) as when the body is
being lowered to the floor. So, the knee extensors
(quadriceps femoris) act in this postural or “antigrav-
ity” role very frequently in dance on the support leg
or legs. In impact movements such as jumping, this
eccentric knee flexion is vital for shock absorption
and deceleration of the falling body.
FIGURE 5.18 Increasing patellofemoral compression force. (A) Knee almost straight, (B) greater knee flexion, (C)
greater magnitude of quadriceps contraction.
TABLE 5.2 Knee Movements and the Muscles That Can Produce Them
Knee joint movement Primary muscles Secondary muscles
Flexion Hamstrings Popliteus*
Gracilis
Sartorius
Gastrocnemius
Extension Quadriceps femoris Tensor fasciae latae
External rotation Biceps femoris Tensor fasciae latae
Internal rotation Semitendinosus
Semimembranosus
Popliteus (when foot free)
Gracilis
Sartorius
*Unlocks the knee at beginning of knee flexion.