Music Fundamentals A Balanced Approach

Harmonizing Music in Major Keys Using Triads or Dominant Seventh Chords in Root

Position 376

Inversions of Dominant Seventh Chords 377

Figured Bass Symbols for Seventh Chords 377

Harmonizing Music in Major Keys Using Inverted Dominant Seventh Chords 379

Chord Progressions Using Dominant Seventh Chords in Major Keys 379

Dominant Seventh Chords in Minor Keys 381

Workbook 383

MODULE 16 FORM IN MUSIC 389

Phrase Structure: Antecedent, Consequent 389

Cadences: Authentic, Half, Plagal, Deceptive 391

Authentic Cadence 391

Half Cadence 394

Plagal Cadence 396

Deceptive Cadence 397

Forms 398

Binary Form: Two-part Form 399

Ternary Form: Three-part Form 400

32-Bar Form (AABA) 401

12-Bar Blues 403

Repeat Signs 404

First Ending, Second Ending 406

Da Capo al Fine 407

Dal Segno al Fine 408

Coda 409

Workbook 411

APPENDICES

APPENDIX 1 Musical Terms 419

APPENDIX 2 Acoustics 425

APPENDIX 3 C Clefs (Alto and Tenor) 427

APPENDIX 4 Modes 429

APPENDIX 5 Other Seventh Chords (Major, Minor, Half Diminished, Diminished) 438

The following appendices can be found on the companion website:

APPENDIX 6 Keyboard Exercises (Scales, Triads, and Chord Progressions)

APPENDIX 7 Analysis of Minuet, BWV Anh. 115 (J.S. Bach)

APPENDIX 8 Analysis of Minuet, K.2 (W.A. Mozart)

APPENDIX 9 Analysis of Serious Moments, Op. 130, No. 23 (C. Gurlitt)

APPENDIX 10 Analysis of Time in a Bottle(J. Croce)

APPENDIX 11 Sansa Kroma, an African Playground Song

Credits 442

Track Listing 446

Index 449

CONTENTS

IX