ANNA (madrigalist patron), 353 , 356
Annunciation, 420 , 565 , 566
Anonymus IV, 173 –75, 177 , 183 , 184 , 186 , 187 , 192 , 196 , 198 , 209 , 233
on English thirds, 394
on faburden, 437
anthem, origin of, 11 , 94
Anthoni usque limina (Busnoys), 456
Anthony the Abbot, Saint, 9 , 456
Antico, Andrea, 691
antiphonal Mass, 780
antiphonal psalmody, 8 , 11 , 23 , 611
original meaning of, 8
antiphoner, 6 , 7 , 14 , 17 , 20 , 41 , 53 , 62
chant modal classification, 78
staffed neumes proposal, 99
antiphons, 8 , 12 , 20 –29, 79 , 80
chant interval exemplars, 100
Communion, 433 –35
cyclic Mass Ordinaries and, 465 , 693
definition of, 11
English, 612 –14, 686 –88
Frankish mode theory and, 76 –86
Gregorian, 12 –13, 34 , 78
grouping of, 72 –76
neumated, 13 –17, 24
psalm tone pairing with, 20 –21, 78 , 83
Song of Songs, 429 –33
tonaries and, 72 –76
troping of, 50 –53, 55
See also Marian antiphons
Antique Theater (St. Petersburg), 127 , 128
Antiquity. See ancient world; classicism,
anti-Semitism, 88
antithesis, 723 , 724 , 733 –34, 747 , 749
Antonio da Tempo, 723
Antwerp, 454 , 459 , 597 , 676 , 714
Apollo (mythology), 32 , 802 , 803 , 804 , 824 , 826
A poste messe (Lorenzo), 366