Music from the Earliest Notations to the Sixteenth Century

Mass    settings    by,  679 –89

music   printing    monopoly    of,  678 ,   741

vernacular  songs,   741 –42

versatility of,  670

works   of

Ave verum   corpus,  686 ,   687

Cantiones   sacrae,  678 –79

Circumspice,    Jerusalem,   679

Gradualia,   679 –80

Infelix ego,     679

Mass    in  Five    Parts,   682 –86

Mass    in  Four    Parts,   681 –82

Non vos relinquam,   686 –87,    688

O   Domine, adjuvame,    679

Psalmes,    sonets  and Songs   of  sadness and pietie,  741

Songs   of  sundrie natures...,  741

Tristitia   et  anxietas,    679

Byrne, David, Philip Glass and, 391

Byzantine chant, 33 –35, 41 , 64

Roman   synthesis   of,  84

traditional performance practice    of,  149

Byzantine Church. See Eastern Orthodox Church,

Byzantine Empire, 33 , 484

C

caccia (canon), 331 , 363 –65, 366 , 371 , 378 , 380 , 711

motet   in  style   of,  378 –80

Caccini, Giulio, 804 , 806 , 811 –17, 818 , 821 , 823 , 826

monody  and,     812 –13,    822

on  vocal   technique,   816 –17,    821

works   of

Amarilli    mia bella,   813 –17,    814 ,   819

Aria    di  romanesca,   823

Euridice,    811 ,   812

Io  che dal ciel    cader,   804 ,   808 –9

Nuovo   musiche,    Le,  812 –13,    816 –17,    816 ,   821 ,   823

Rapimento   de  Cefalo, Il,  813 ,   831

cadence, 20 , 44 , 46