Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

Calvinism, 754 –55


Calvisius, Sethus, 768


Ein’    feste   Burg    ist unser   Gott,    768 –69

Cambrai Agnus Dei, 314 , 315


Cambrai Cathedral, 441 , 453 , 458 , 507 , 558


Cambridge University, 166 , 513


Camerata (Bardi circle), 800 , 803 , 804 , 812 , 818 , 822


cancrizans motion (proceeding backward), 328


canon (cathedral community), 169


canon (celebrant’s prayer), in Mass ordo, 61


canon (musical form), 330 –36, 349


ballata and,     366
Busnoys motet and, 457
caccia and, 331 , 363 –65, 366 , 371 , 378 , 380 , 711
chace and, 331 –36, 349 , 364 , 366 , 374 , 491 , 711
complexity of, 331
earlier meaning of, 330 –31
hunting pieces as, 364 , 365
J’ ay pris amours arrangements as, 538
madrigal and, 363 –65, 374
mensurated, 477 –78
Missa L’Homme Armé and, 485 –86, 489 , 491 –92, 493 , 520 , 529
Ockeghem Mass and, 477 –78, 480 , 641
Palestrina Mass and, 637 –41, 662
Pycard Gloria and, 410
Sumer, 388 , 389 –91, 397 , 399 , 409 , 457

canon (notational rule), 262 , 265 , 280


canon law, 170 , 277


“Canon on Music to be Used in the Mass” (Council of Trent)., 650


Can shee excuse my wrongs (Dowland), 745


canso, 117 , 124 , 125


ballade as  descendant  of,  349
to Blessed Virgin, 98 , 99 , 128 , 501 , 533
cantiga as equivalent of, 128
description of, 107 –8
French chanson courtoise as, 117
Raimon and, 98 –99
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