Music from the Earliest Notations to the Sixteenth Century

Missa   Ave Regina  Coelorum,    574

Missa   L’Homme Armé,    497 –99

Missa   Sancti  Jacobi,  434 –35,    436 ,   437

Missa   Se  la  face    ay  pale,    532

Nuper   rosarum flores,  282 –85,    429 ,   441

Se  la  face    ay  pale,    498

Supremum    est mortalibus  bonum,   282

Vos qui secuti  estis   me,  434 –35

Duke’s Theatre (Lincoln’s Inn) Dunque dovro (Frescobaldi), 824 , 825

Dunque fra torbid’ onde (Peri), 810

Dunstable, John, 421 –22, 424 –25, 427 –33, 461 , 499 , 513

Caput   Mass    linked  with,    476 –77

musical significance    of,  422 ,   424 ,   427 ,   429 ,   433 ,   454

Quam    pulchra es,  429 –33,    462

Salve   scema/Salve salus,   424 –25,    427 –29

duodecimal system, 252 –53

duodenaria, 356 , 363

duple meter, 248 –52, 251

Elizabethan dance-songs and,     742 –46

ground  bass    passamezzo  and,     626

Machaut and,     295

Duplum. See organum duplum,

durational ratios. See rhythm,

durchkomponiert. durus (ut mode), 102

Dutch language, 597

dynamics,

first   indications of,  792

E

Early Modern period, 797

early music revival,

Adam’s  Jeu de  Robin   et  Marion  and,     127

authentic   performance movement    and,     782

cantigas    and,     130

Gesualdo    and,     739 –40

Gregorian   chants  and,     66

Josquin’s   Ave Maria   ... Virgo   serena  and,     565

Josquin’s   El  Grillo  and,     699