Music from the Earliest Notations to the Sixteenth Century

standard    cadence in,  276

fourth (Hypophyrgian), 82

fourth equivalence, 495 . See also tetrachord

Foweles in the frith (English twinsong), 395

fractio modi, 181

France,

Albigensian Crusade and,     116

Ars Nova    and,     248 –87

ars subtilior   composition and,     342 –46

Avignon papacy  amd,     249 ,   307 –14,    310

as  Cypriot cultural    influence,   345

English cultural    interchange with,    397 –407,   409 ,   410 –11,    413 ,   421 –22

English invasion    of,  421 ,   422 ,   433 ,   461

English musical influence   on,  422 ,   423 ,   433 –52

feudalism   in,  107 ,   143

German  nationalism and,     142

Hundred Years   War and,     408 ,   421 ,   422 ,   447

as  Italian trecento    influence,   366 –67,    368 ,   371 ,   374 –78

Machaut and,     270 –73,    289 –307,   289 ,   317 –36

Machaut’s   artistic    heirs   and,     336 –42

motet   and,     219 –21,    229 –36,    229 ,   233 ,   255 –77,    286 ,   378

music   publishing  in,  692 ,   694 ,   706 ,   708 ,   710

polyphonic  style   and,     429

Revolution  of  1789    of,  253 ,   579

trouvères   in,  116 –27,    142 ,   219

urbanization    in,  120 ,   207

vernacular  song    in,  106 –7,     351 ,   706 –13

Vitry   and,     248 ,   249 ,   256 –58,    259 ,   261 ,   267 ,   281 ,   286

Francesco I, Grand Duke of Tuscany, 799 , 803 , 804

Francesco da Milano, 616 , 617 , 620

Francis (François) I, King of France, 558 , 581 , 706 , 708 , 711

Franciscans, 133

Francis from Bosnia, 698 –99

Franconian notation, 212 –17, 234 –35, 238 , 248 , 249 , 250

Ars Nova    notation    and,     355

examples    of  principles  of,  216

Franco of Cologne, 250 , 254