folklore and, 138
French esthetics and, 142
Minnesinger art and, 138 , 139 , 141
Germany,
absolute music concept and 541
artistic purity and, 141
Baroque and, 797
Carmina burana and, 138
feudalism’s duration in, 143
flagellants and, 134
folklore and, 138
French style influences in, 142
guild poets and, 118
humanism and, 549 , 550 , 581
Lutheran music and, 758 –69
Luther’s 95
theses and, 753
Meistersingers and, 118 , 139 –44
music publishing in, 550 –51, 691 –92, 701 , 760 , 762 , 765
nationalism and, 138 , 141
Nazis and, 138
political subdivisions in, 141
Protestantism and, 549 , 753 –69
Tenorlied, 701 –6, 717 , 756 , 758 , 760
trouvère influence in, 142
unification movement in, 138 , 141
vernacular song and, 134 –42, 351 , 701 –6, 717
Gershom, Levi ben. See Gersonides,
Gersonides, 249
Gervais du Bus, 255 , 258
Gesualdo, Carlo, 738 –41, 751 , 773 , 818 , 819
modern reputation of, 738 –40
Moro, lasso, 739 , 740
Geystliches gesangk Buchelyn (Walther), 760 –61
Gherardello da Firenze, 365
Donna l’altrui mirar, 371 , 372 –73
Tosto che l’alba, 365 , 371