Gombert, Nicolas, 589 –97, 601 , 602 , 678
In illo tempore loquente Jesu ad turbas, 590 –93
Musae Jovis, 589
Good Friday, 832
gorgia (throat-music), 816 –17, 816 , 821
gospel motet, 595
Gospels, 6 , 13 , 25 , 42 , 758 , 775
Gothic style, 169 , 631
Goudimel, Claude, 754
grace (religious), 552
Gradual, 25 , 26 –27, 28 , 40 , 79 –80, 171
chorale replacement of, 758
Isaac’s Choralis Constantinus and, 679
in Mass ordo, 61 table
motet and, 221 , 229 , 328
polyphonic setting of, 162 , 177 , 178 , 679
graduale, 15 , 40 , 53 , 58 , 60 , 62
chant modal classification in, 78
Gradualia (Byrd), 679 –80, 686 , 688
Gradus ad Parnassum (Fux), 667 , 669
grand concerto. See concerto grosso
Grandes Chroniques, Les” (manuscript), 207
Graudal of St. Yrieux, 39 –41
Great Britain, 387 –452
Byrd and, 670 –89, 741 –42
Caput Mass and, 465 –71, 472 , 474 , 475 , 476 –77, 481
choral foundations in, 94 , 614
contenance angloise and, 422 –52
continental cultural interchange with, 397 –407, 409 , 421 –22, 676 , 678
cyclic Mass Ordinary and, 460 –71, 473 , 474
descant and, 406 –9, 411 , 423 , 425 , 429
destruction of pre-Reformation liturgical manuscripts in, 402 –3, 513 , 672
Dowland and, 742 –43
Dunstable and, 421 –22, 424 –25, 427 –33, 461
early music manuscript of, 387 –88, 388
early sixteenth-century church music of, 612 –14
fifteenth-century musical prestige of, 422 –52, 461