Music from the Earliest Notations to the Sixteenth Century

Lutheran    chorale translations    of,  758 –69

Nordic,  392 –94,    393

oral    tradition   and,     27 ,    39

polyphonic  settings    of,  159

psalmody    vs.,     48

rhythmic    performance speculation,     114

sequence-like,   43 –45

trochaic    meter,   47

Vesper,  632

“Hymn to St. Magnus” (Nordic hymn), 393 –94, 393

Hymn to the Trinity, 33 , 34

Hypodorian ambitus, 89

Hypolydian mode (sixth), 80 , 85 –86

Hypophyrygian mode (fourth), 82

Hystorie sacre gestas ab origine mundi (Leonius), 175 , 191

I

iambic meter, 176 –77, 197 , 198

iambic pentameter, 378 , 742

Iberian peninsula. See Spain

Iceland, 393

iconic repreensentation, 363

idylls, 356

Ier mains pensis chevauchai (Ernoul Caupain), 120

Ignatius of Loyola, Saint, 666 , 771

Ile fantazies de Joskin (Josquin), 545 –46

illuminated manuscripts, 6 –7, 6 , 71 , 71

imagery, 91

of  courtly love,    108

imitation. See mimesis

imitatio technique, 574

imitative polyphony, 337 , 493 , 546 , 574 , 577 , 579 , 589 , 596

canon   as,  330 –36

cantus  firmus  and,     580 –82

Gabrieli’s  (Giovanni)  absence of,  786

Immaculate Conception, 566

imperfect consonants. See dissonance,

imperialism,