nationalism and, 666
notation and, 341
oltremontani musical idioms and, 723
Palestrina and, 630 –70
Papal States and, 2 –3, 310
sixteenth-century musical importance of, 605
songbooks and, 691
troubadour influence in, 116 , 133 –34, 351
unification of, 3
vernacular song and, 133 –34, 350 , 351 –52, 694 –701
Willaert and, 600
See also Florence; Milan; Naples; Rome; VeniceIte/Deo gratias (Mass IX), 86
Ite, missa est (dismissal), 310 , 311 , 312 , 316 , 323 –24
Iudochus de Picardia, 558 , 559 , 584
ivory book cover, 53
Ivrea Codex, 310 , 311 , 312 , 313 , 314 , 316 , 331 –32, 333 , 349 , 402
J
Jackson, Michael, 617
Jacobus de Liège, 254 , 299
Jacopo da Bologna, 352 , 352 , 353 , 354 , 364
Oselleto salvagio, 359 –64
university background of, 354Jacopone da Todi, 134
Jacques de Liège. See Jacobus de Liège,
Jacquet of Mantua (Jacques Colebault), 536 –38, 641
Jagiellonian dynasty, 347
J’ai les maus d’amours/que ferai (rondeau-motet), 227 –28, 233
James, Saint, 435 , 436 , 436
James I, King of England, 742
James the Greater, Saint, 162
Janequin, Clément, 710 –13, 786
Alouette, L’, 711
Chant des oyseux, Le, 711
Chasse, La, 711
Guerre, La, 711 –12, 787 , 788 , 789Ja nun hons pris (Richard Lion-Heart), 117 –18