legendary status of, 547 –49, 551 –55, 558 , 560 , 572 , 577 , 579 , 600
Luther’s admiration for, 755 , 756
misattributed works to, 549 , 554 –55, 563
Mouton and, 589
musical popularization of, 553 –55
myth and, 579
Ockeghem and, 500 , 529 –30
“paired imitation” style of, 555 , 556 , 589
Palestrina’s musical homage to, 633
parody and, 572 –76, 588 , 641
patrons of, 554 –55, 559 –63, 578 , 578 , 584 , 696 , 699
Phyrgian polyphony and, 529 –30
posthumous period of, 552 –53, 558 , 581
post-Josquin style and, 589 –99
printing revolution and, 499 , 542 , 549 , 557 –58, 559
scholarship on, 558 –60, 576 –84
stylistic chronology of, 564 –65, 577 –80
voces musicales and, 499 –500, 560
Willaert’s style and, 589 , 601 –3
works of
Agnus Dei, II, 520 , 529 , 531 –34
Ave Maria, 606 , 686
Ave Maria ... Virgo serena, 565 –72, 577 –84, 588 , 602 –3
Benedicta es, coelorum regina, 580 –83, 601 –3, 633
Bernardina, La, 544 , 546
Christe, Fili Dei, 530 –34
Grillo, El, 699 –701
Ile fantazies de Joskin, 545 –46
Memor esto verbi tui servo tuo, 554 , 556 , 557 –58
Missa Hercules Dux Ferrariae, 560 –63, 696
Missa L’Homme Armésuper voces musicales, 499 –500, 520 , 529 , 530 –34
Missa Pange lingua, 555 –57, 566 , 641Juan del Encina, 724
Jubal, 175
jubilated singing, 11 , 24 , 26 , 38 –39, 98 , 613
Jubilemus, exultemus (versus), 156 , 157 , 158 , 162
Judah Maccabee (biblical), 286