Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

Klug, Joseph, 760 , 761


knightly poets. See troubadours,


Komm, Gott Schöpfer, Heiliger Geist (chorale), 758


kontakion, 34


Kontrapunkt (Jeppesen), 670


Kraków, 346 , 347 , 348


Kyriale (chant book), 58 , 322


Kyrie, 53 , 58 –60, 89 , 111 , 234 –36, 236 , 461


Agnus   Dei pairing with,    311
Avignon-style, 311 –13, 316
Caput Mass and, 458 , 466 , 467 , 469 , 473 –74, 475
Cum jubilo and, 84 –86, 89 , 234
Cunctipotens genitor and, 59 , 111 , 163 , 164 , 165 , 306 –7, 325 , 371
English Old Hall manuscript and, 409 , 461
Févin’s Missa super Ave Maria and, 574 –76
Josquin’s voces musicales and, 499 , 500
Machaut La messe de Notre Dame and, 318 –19, 322 –25, 326
in Mass ordo, 61
melismatic and texted side-by-side, 58 –60
Missa L’Homme Armé and, 486 –89, 495
Ockeghem Missa cuiusvis and, 479 –80, 499
Palestrina Missa O magnum mysterium and, 644
Palestrina Missa Papae Marcelli and, 654 –55, 660
Palestrina Missa Repleatur os meum laude and, 637 , 638 –39, 640 –41
performance practice of, 310 , 614
polyphonic setting of, 162 –63, 307 , 310 –13
troubadour melody compared with, 111
votive Mass and, 316 , 317 , 318

Kyrie I (Josquin), 557


Kyrie II, 111


“Kyrie IV, 58 –59, 325


Kyrie IX, Cum jubilo, 84 –86, 111


structure   of,  85
table voces for, 103 –4

“Kyrie Cuthbert,”, 409


L


“laceramento della poesia,”, 742 , 744 –45

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